Tag Archives: #SelfPubIsHere

Ellie Marney Has Assembled #SelfPubIsHere

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On May 11th Pauline Findlay and I launched #SelfPubIsHere along with a merry band of self-published authors which included #LoveOzYA superstar Ellie Marnie. My debut post urged self-publishing Avengers to assemble for a self-publishing festival in Australia. The movement went gangbusters and got covered in Books+Publishing and Australian Self-Publisher. Last night Ellie wrote her own post doubling down on needing our own festival. And to be honest, it had too many good quotes for me to write them all here because I’d simply be rewriting the whole article, so I urge you all to read it. It is all about making that previously hidden aspect of publishing such as rights management, formatting, cover design, editing, etc visible in a way traditional festivals simply cannot. Find the article here and enjoy! So what do you think? Are you ready to assemble for a #SelfPubIsHere festival?

P.S. You can find Ellie Marney’s books here.

Writing Teachers I Love #SelfPubIsHere

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Last week for #SelfPubIsHere I spoke about editors that I love, people who make your manuscript glow. But what about before you have a manuscript? Are there people who can help you before you have finished, or before you have even started? The answer is quite simply yes, writing teachers exist. And fortunately we live in a time where there are more and more teachers available to learn from. I’m going to share with you some writing teachers that I love and where to find ones that you’ll love too. And if there’s one thing I know, it’s quality teaching. Not only did I teach for over a decade, including being Acting head of English, Drama coordinator, placed on secondment briefly to the body now absorbed by NESA amongst many other things, BUT I also studied directly with the creators of Quality Teaching and Productive Pedagogy. So trust me, I know teaching, and I say these people are awesome.

Toni Jordan is a truly incredible teacher. The three scenes that are consistently held up as excellent by critique partners of my WIP were all written during Toni Jordan’s Character and Dialogue course held at NSW Writers’ Centre. She is Melbourne based and has lectured at RMIT, presented extensively at The Wheeler Centre, tutors at Writers Victoria, and indeed lots of other places too. You can even get personalised mentoring from Toni through Australian Writers Mentoring Program. She has really strong opinions on structure and dialogue tags and is not afraid to state exactly what they are, which is very useful in a teacher. And although her opinions are strong she is never brutal; think of Toni as the epitome of firm but fair. Find Toni Jordan’s website here. Find her books here. Find Toni’s Robinpedia entry here.

I was lucky enough to do Pamela Freeman’s two day speculative fiction course a few years back. Since then, she has taken me under her wing and allowed me to ask her all sorts of inane questions. She is the kind of teacher who continues on thinking about her students long after the classroom door has closed and the lights have been shut off. She is very much the mother duck of the Australian writing teaching world, but with a truly wicked sense of humour. She has a PhD in writing, she knows her stuff, and she’s quite forward in telling people what she thinks. And you’re in luck, because Pamela is currently supercharging her Advanced Fiction Writing Course at AWC. She is a regular teacher at AWC who also have a mentoring program, teaches occasionally at NSW Writers’ Centre, pops into a couple of Sydney universities, and all around the place really. Find Pamela Freeman’s website here. Pamela gets bonus points for following along on the #SelfPubIsHere twitter storm. Find her books here, and her books as Pamela Hart here.

Kate Forsyth made me tear up my prologue, literally. She didn’t even read it, she just asked me a few questions, didn’t like the sound of my answers so told me to rip it up. Shocking, I know, but… she was absolutely right. Kate is able to get to the core of your writing very quickly and gives crisp advice that will improve your manuscript immeasurably. I don’t go anywhere without her plot arc worksheet. She is a regular teacher at AWC, also teaches at NSW Writers’ Centre, a few universities, and pretty much everywhere else including overseas. Find Kate Forsyth’s website here. Find Kate’s books here. (And I know she’d also love it if you could check out her cooking and books show, Word of Mouth TV.)

A woman that needs no introduction, Anita Heiss. She’s pretty much an icon in Australia. When I was volunteering at one of her panel events at the Sydney Writers’ Festival we had to form a separate line for her signings. She is a really practical teacher who urges writers to listen to their readership. She’s all about knowing what you write. Very thorough in her approach and her preparation is phenomenal. I was lucky enough to do a workshop with her at NSW Writers Centre but she teaches at a lot of other places too. Keep your eyes wide open to see her courses pop up and book quickly. Anita Heiss’s website can be found here. Find Anita’s books here.

Emily Maguire is a very quiet and serene teacher. She is never without an encouraging word for people and always listens to students thoroughly before responding. Emily also provides so many worksheets for you to take home so that you can continue to look back and relearn for years to come. She teaches the hugely popular Year of the Novel course at NSW Writers’ Centre and so you get to learn from Emily all year long. Find Emily Maguire’s website here. Find Emily’s books here.

One of the most exciting speakers I have ever seen is L.A. Larkin. She is very animated, very witty, and above all else, very clever. L.A Larkin mainly teaches in the UK but lucky for us the AWC recently snapped her up to teach crime writing so she’s not just swanning around British universities anymore, we can learn from her in Sydney. You can also find her speaking at a variety of other places, check L.A. Larkin’s website for details here. Find her books here or even here. Find L.A. Larkin’s Robinpedia entry here.

Jan Cornall is the first writing teacher that I ever had (aside from school) and she blew me away. She is a very calm person and has a soothing effect on the soul. Jan utilises short bursts of meditation in her teaching and, despite the fact that I am truly crap at meditating, it really works. She teaches at WEA, NSW Writers’ Centre, pretty much everywhere and runs her own draftbusters course in the Inner West that I cannot recommend highly enough. Find Jan Cornall’s website here. Find Jan’s books here.

I have long testified that Walter “the inconceivably incandescent” Mason is like viagra for the creative soul. This man simply oozes love and passion. To sit by him is to sit in the presence of inspiration. But he doesn’t just sit about being all inspirational, he also gives concrete tasks to do. He really is a spectacular speaker and I urge you to go see him whenever you can. He regularly teaches at WEA, Sydney Mechanics’ School of Arts, NSW Writers’ Centre, Ashfield Library, and pretty much everywhere you can think of. Find Walter Mason’s website here. Find Walter’s books here. Find Walter Mason’s Robinpedia entry here.

Alison Croggon would come close to being the queen of Australian literature. She’s a poet, a spec fic writer, an opera critic, and so much more. You want to know how to write an arts submission? She’ll teach you. You want to know how to write a proper poetry review? She’ll teach you. You want to know how to write a fantasy novel? She’ll teach you. And, like Toni, you can have Alison all to yourself through the Australian Writers Mentoring Program. Find Alison Croggon’s website here. Find Alison’s books here. Bonus, she’s a huge #SelfPubIsHere advocate.

I did a Garth Nix course through ASA waaaaayyyy back in 2014. I rarely see his name crop up on workshops so was eager to attend, I think it pretty much booked out on its first day of advertisement. First up, the food they provide for the ASA courses is fantastic, seriously, if you haven’t done a course there yet… well… do it! Secondly, I was really impressed with how Garth took a different tac than many other teachers. He was explicit on who to pitch to, he was explicit on filling up your creative bank. It was a very informative workshop. He said nice things about my WIP, and as I am a complete saddest I have subsequently changed it from being set in Germany to Australia, from first person to third person from present tense to past tense. Whyyyyy??? Imagine what I would have done with negative feedback or if he’d actually suggested any changes? Burned my laptop and thrown it from the Harbour Bridge? Find Garth Nix’s website here. Find Garth’s books here.

Cass Moriarty is from up above… in Queensland. She is a tireless supporter of writers and somehow manages to write novels, write reviews of ALL the books, teach and be a doting grandmother. I am in awe of this woman and have no idea how she does it all. Her motto is ‘I can adapt’ and she brings that to your manuscript. You can find her floating about up at Queensland Writers Centre where she does workshops and mentoring. Find Cass Moriarty’s website here. Find Cass’s books here. Find Cass Moriarty’s Robinpedia entry here.

Thriller, chiller, and teacher Tania Chandler has been writing and editing for years. Recently, we’ve been lucky enough to see her helm her own workshops. She brings a wealth of experience with her, and is a very dedicated teacher. If you get a chance to get to SPAN Community House Inc. book in for a course with Tania. Find Tania Chandler’s website here. Find her books here. Find Tania Chandler’s Robinpedia entry here.

Aleesah Darlison is here by very special request, my 6 year old daughter’s request to be precise. I have not had the pleasure of learning from Aleesah but my daughter has. Aleesah visited her school last year and my daughter assures me that Aleesah is the best teacher ever, and very qualified. My daughter tells me that Aleesah has written over 100,000 books, and writes 1000 a week, so I’m fairly confident she’ll teach you a lot about time management, and possibly how to create time vortexes. We actually owned quite a few of Aleesah’s books before she went to may daughter’s school so my daughter’s claims are way less exaggerated than you think. Aleesah is a powerhouse. My daughter rarely steers me wrong so in order to keep tabs on the clearly enchanting Aleesah Darlison find her website here. Find Aleesah’s books here. Find Aleesah’s Robinpedia entry here.

And no list could be complete without #SelfPubIsHere rockstar Ellie Marney who teaches both YA and self-publishing workshops.

You can find her slinking around Writers Victoria and plenty of other places too. Just keep those peepers peeled. Find Ellie Marney’s website here. Find Ellie’s books here.

This is a list of general writing teachers that I highly recommend, I will do a blog entry on self-publishing specific courses later on. Now of course there are other fab writing teachers out there and I can’t possibly go learn from every single one of them, so I’d like to hear about who you love. Especially those fab teachers such as Natasha Lester who I hear so much about from WA friends. Which writing teacher really boils your potato?

Find friendly writers organisations here. Just click on “8. What other organisations in Australia support writers?” These places have been created to help you grow. They can and will help you. They have an array of courses and resources.

See #SelfPubIsHere featured in Books+Publishing here.

Also in Australian Self-Publisher here.

Read about my #SelfPubIsHere Festival dream here.

Read the article that kicked #SelfPubIsHere off here.

Read about my experience of being a dyslexic writer here.
Also, cough-cough, find my book at Booktopia or anywhere.

P.S. HAPPY TOWEL DAY!

Editors I Love #SelfPubIsHere

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One of the major factors influencing the rise of respectability in self-publishing has been thanks to professional editors turning freelance.* But how do you find a good one? How do you make sure you aren’t being charged by a charlatan who won’t really improve your book at all? Or worse, take your money and then never respond to you again (yes, this happened to me once). It’s hard, #SelfPubIsHere and we want to publish quality books, but without good editors we cannot do it. To help make your journey a little easier, I’m going to share 9 top quality editors with you. People who would have made this article sparkly and zingy if they had been hired to look at it, and will do just that for your books. [Note: My blog does not use an editor only my books do. Please read my about section to understand why. This blog entry is not a sample of any editor’s work.]

Cait Gordon is a writer and editor. The publishing industry was lucky enough to poach this editor from the world of technical writing where she had 20+ years experience copy editing and technical writing. Now she’s ours and we’re not giving her back, ever. She is not just thorough but kind. Find Cait here. And just in case I don’t say it enough, I love Cait.

Linda Funnell is one of Australia’s most loved editors. What she doesn’t know about Australian English doesn’t actually exist. Very professional and, I know this is a cliche that she’d suggest I cut, a pleasure to work with. Find Linda here. Linda also works alongside Jean Bedford at Newtown Review of Books, who I have found likewise amazing, but I can’t see if she offers professional editing services. You can find Jean here.

Nicola O’Shea came to me recommended by Anita Heiss. Anita Heiss. I’ll just let that sink in. I don’t need to say anything about my positive experiences working with Nicola because a God damn national treasure recommended her and if that isn’tgood enough then I don’t know what is. Find Nicola here.

Tania Chandler! What can I say, I love this woman. She’s an author, writing teacher, and editor. She tackles every job with professionalism and offers clean, professional service. Added bonus, she has a killer sense of humour. Find Tania here.

Georgina Ballentine is a person that embodies dedication. She is passionate about making sure your work is the best reflection of you that it can be. She’s not interested in changing your voice, she’s interested in making it sing. Find Georgina here.

Dionne Lister is a successful author, editor, and leading champion of #SelfPubIsHere. But most importantly, she loves grammar. She runs a Facebook group on grammar. She blogs about grammar. She dreams about grammar. Very thorough, very knowledgeable, very passionate. Find Dionne here.

Jessica Stewart is a gramazon, an Amazon of grammar. She’s here to deliver high kicks to wrong comma usage, chop excessive adverbs and unleash clean flowing sentences. Find Jessica here. Find Jessica’s Robinpedia entry here.

Hot Tree Editing is friendly, cost effective editing. They are thorough and experienced. Their services offer multiple sets of eyes to ensure nothing gets missed. Find Hot Tree here.

Chryse Wymer was the first professional editor I ever worked with and came to me recommended by Dionne Lister. She is an absolute grammar nerd and if she ever reads this blog entry would probably have to begin breathing into a brown paper bag in order to cope with the errors. She’s going to make sure you don’t use the same word to start every paragraph and she’s happy to look up archaic words just to make sure they’re being used correctly. And she has had an extensive education in Australian terms such as root, died in the arse, take the piss, thanks to yours truly. Find Chryse here.

So what are you waiting for? Go get out that manuscript you’ve had gathering dust and get it polished to publication.

See #SelfPubIsHere featured in Books+Publishing here.

Also in Australian Self-Publisher here and you can love them on FB here.

Find out more about #SelfPubIsHere here.

Read about my #SelfPubIsHere dreams here.

Read the article that kicked #SelfPubIsHere off here.

See more about #SelfPubIsHere here.

*Note: historically, many of the authors you love such as Beatrix Potter started out as self-published but later when e-publishing first picked up momentum there was a real push against it. Now with print on demand becoming more accessible the quality and respect is rising again.
Also, cough-cough, find my book at Booktopia or anywhere.