Tag Archives: science fiction

Confession of a Spec Fic Writer: Sometimes We’re Not Clever, We’re Just Plain A-Holes.

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In October of 2012 I started this blog as a budding Spec Fic writer. I wrote Doctor Who Horoscopes, I shared Fantasy excerpts and short stories that I had written. However, in March 2014 I went into a psychiatric hospital with postnatal depression. My blog focus shifted but strangely enough I still often identify myself as a Spec Fic writer. For the next couple of years I have Spec Fic slated to come out. A Historical Fantasy this year and a Paranormal Crime next year. As such I am having more Spec Fic focused conversations with fellow writers. We all think we’re pretty clever. We all like playing with reality. We all enjoy coming up with clever tricks…. But sometimes we fail. Sometimes we unintentionally write things that are harmful and bigoted.

A recent conversation with a friend reminded me of a concept that an ex came up with when we were in our early 20s, about 15 years ago. It was a vampire film (yeah, I used to do short film, I’ve even got an award, I’m quite the Jack) and he was so excited about it because it combined his two great loves, medical science and vampires. He had a medical science degree. He had honours. He was doing his PhD. In short, he knew his stuff. And as he told me his plans I said, “Wow, that’s really fucking interesting.”

His premise was that vampires were a result of a blood mutation and that people with hemophilia were actually descendants from the original vampires. He had way more science behind it than that but that’s about the extent that this aging, arts-degree brain can remember. We hi5ed to good thinking and how solid the science was. We listened to Placebo’s Haemoglobin. We were sooooo cool. But then some thoughts started cropping up…

…. Hang on, are we saying that very real people who exist today are not entirely human? Are we saying that a group of real people are part parasite ready to suck the blood of others? Have we made out that they’re different and savage because of a medical condition? Have we seriously othered them? Oh shit, we had. But aren’t vampires cool? Doesn’t everyone want to be one? No. People who have been systematically excluded already probably don’t want to be further dehumanised.

You know what we ended up doing? We set the idea aside. We decided not to run with it because there were too many issues. Sure the science was interesting, the play of ideas was interesting, but actually putting that dehumanisation of a group of people out into the world was not interesting. It wouldn’t be fun or cool. It would be actively othering and already misunderstood group.

What did we do? We came up with other ideas that didn’t dehumanise a group of marginalised people. Just because and idea seems interesting on the surface doesn’t mean it’s actually a good concept to film or write about. We’re creative people. We can think of more things. We can do better. We can come up with equally exciting concepts with out dehumanising marginalised people. I believe in us. We’re thinkers.

This was 16 years ago and I’m still having similar conversations. Let’s do better. I know we can do it. Don’t get me wrong, we’ll all fuck up at times, I definitely do, but at least put it on our radar.

Jane Rawson: #Robinpedia

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Jane Rawson is an Australian writer, environmentalist, and tasty bit of frippet. Her interests include dawdling around San Francisco and applying formalin to shape-shifting, aliens’ feet.

By day Jane is a respected environmental writer who writes about cows and hover-boards  for The Man, by night she is a writer of quirky books that stimulate, amuse, and confuse the senses. Her first novel, A Wrong Turn at the Office of Unmade Lists, came out in 2013 through Transit Lounge and was shortlisted for an Aurealis award. This dystopian/apocalyptic/road-trip quickly became a cult classic amongst sci fi fans (me) and cool people (Emma Viskic) with good taste (Tania Chandler) everywhere.

In 2015 Jane put out two books, Formaldehyde through Seizure which uses her signature style of shifting time, meaning and narrative; and a non fiction, The Handbook: Surviving and Living with Climate Change again through Transit Lounge. I am buying this for my husband for his birthday, so will let you know about it once I know. Let’s all just assume that it’s really good.

For her fourth book, From the Wreck, also through Transit Lounge, Jane took her unique approach to writing family history. The result is a delicious postmodern feast that shows human nature at its most primitive and yet also whilst it is attempting to be most civilised. Given that this historical fiction is written by Jane Rawson it involves an alien and references to cannibalism. It is fucking brilliant, end of. 

Find Jane Rawson’s website here.

Find Jane Rawson on twitter here.

Engage with her olden day jokes about travel here.

You can also read Jane’s short fiction through Review of Australian Fiction, Tincture, and Funny Ha Ha


If you have information you feel would enhance this entry please leave it in the comment section.

Learn more about Robinpedia here

Happy Mothers Day, Here’s Your Damn Book Now Leave Me Alone

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Few occasions say buy a book like Mothers Day. Ladies love reading, amirightoramiright? So I’m here to help you chose a book that she’ll actually like rather than one she’ll pretend to like but secretly wonder why the hell you bought her something about pirates and heaving bossoms.

My number 1 recommendation is Kerri Sackville’s Little Book of Anxiety. Don’t pretend like you don’t know why I’d recommend this book, us mothers are anxious, nagging, beasties, and this is a humorous look at anxiety that the anxious mumma in your life will enjoy.

My 2nd recommendation is Primary School Confidential by Mrs Woog. A truly hilarious look at all things Primary School. It’ll make your mum laugh and cringe at all those memories.

My 3rd recommendation is Lisa Fleetwood’s Destination Dachshund. It’s a beautiful family travel memoir about three generations traveling the world together. You could get this one for mum or grandma… it might even inspire them to take you to Europe for a family vacation. Free trip! Woot!

My 4th recommendation is a bit of a change of pace from the first three. Emily Maguire’s An Isolated Incident. An Isolated Incident is a haunting thriller that explores everyday violence. It has real depth and covers some unsettling themes. This is something that your mum can sit down with and really engage with. A novel that will stay with her and really make her think. Perfect for the mum who loves to explore social issues.

Coming in at number 5 is The War Bride by Pamela Hart. A beautiful tale set in 1920s Australia. It is the story of
Margaret Dalton who comes to Australia from England and has to create a new life and form new friendships. There’s a touch of romance for the mums out there who like a bit of a love story.

Number 6 is Lisa Heidke’s Callahan Split. Love, sibling rivalry and tennis. What’s not to like. Get it for the mum who loves tennis or has a sister.

Number 7 is The Beast’s Garden by Kate Forsyth. It’s Beauty and the Beast meets WWII. It’s evocative, it’s romantic, it’s beautiful. Your mother will love it.

At number 8 I have Fiona McArthur’s Aussie Midwives. A heartwarming look at those wonderful people who work around the birthing process. Your mum is sure to be touched by this gift, after all, she probably gave birth to you.

9 is Incredible Bakes That Just Happen to be Refined Sugar Free by Caroline Griffiths. The name says it all. Delicious recipes that everyone can enjoy. If your mum loves to cook then this is the gift for her… and you because she can make you delicious treats from it. Bonus.

And coming in at lucky number 10 is Rhonda RobertsGladiatrix. Perfect for the mum that loves Speculative Fiction. Despite Spec Fic having a rep for being a “boy’s” genre the majority of the readers are actually females. And we love to read about kick ass female leads. So grab your mum a copy and she’ll give you a big thanks. This is Science Fiction with an Australian character heading things up.

So, what are you waiting for? Go get that mother of yours the perfect book.

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#CBCA2015 Celebrating Children’s Book Council of Australia Book Week 2015 – Chloe Prime : Alien Space Vet, Chapter Two #BookWeek

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This week was Children’s Book Council of Australia’s Book Week. In celebration of this wonderful event, that helps bring the spirit of fandom to children’s reading, I am going to pop up chapter 2 of Chloe Prime: Alien Space Vet. Chapter 1 is HERE for people that have missed it. Enjoy, and I hope you enjoyed all the celebrations around Book Week that took place.

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Chapter Two: Greedy Goldfish

The next morning Chloe lay in her backyard pulling faces at her reflection in her fishpond. Meanwhile her mother rushed about inside the house getting Chloe’s things ready for school. Chloe enjoyed listening to the gentle trickle of water running through her backyard and the feel of the soft blue-green grass on her stomach. She reached out her hand and gently ran it through the cool water, carefully not to scare the fish. Chloe laughed at her funny faces as she waited for the fish to surface for their feed. One fish nearly leapt out of the water in fright as it came up for air to the sight of Chloe flaring her nostrils and pulling her lips back over her gums. Chloe giggled excitedly at the response and kicked her legs up behind her; her metallic leg braces glinted in the sunlight.

Leg braces might have slowed some children down but not Chloe Prime. She had been born with hip dysphasia which meant that her hip sockets were out of phase with her legs and had not formed properly. Despite the braces, Chloe was an utter tear about. She could often be seen leaping about her backyard playing ‘Super Ninja Rabbeets’ with her best friend, the amazing Hippopotati, Joshua Suza.

Chloe stood up and moved around the fishpond that she loved scouting for fish. She followed the small stream that sprang from the pond winding its way around the lush green yard. Chloe stopped and flopped down on one of the two small bridges that crossed the stream. She reached out her hand and softly parted the ferns that grew around the water, peeking in carefully to check for fish. She was hoping to be able to hand feed a few of her favourite fish friends before heading off to school.

“Chloe…” A voice drifted out to the yard disrupting Chloe’s face pulling. “Have you fed the fish yet?”

“In a minute Mum.” The little girl called back, quickly rushing back to the pond.

“You’ll be late for school. You better get a wriggle on.”

Chloe wriggled cheekily on the spot and then grabbed a tiny cube of bread from a basket beside her. She hovered the cube over the water and waited. Pretty soon a large bright orange fish broke the surface, mouth eagerly open. Chloe gently popped a piece of bread in the gapping gob and watched the fish duck back under the surface. She repeated this process for a few minutes with fish of a variety of bright oranges and pearl white, and any splotchy combination of the two colours.

“Chloe.” Mum’s voice cut through the quiet garden again. “Hurry up Sweetie. I’ve packed your bag, and the school shuttle will be here soon.”

“Two more minutes Mum.” Chloe called back.

Chloe kept emptying her bread basket into the pond. SPLASH! All of a sudden a big greedy fish leapt from the surface and tried to snatch a piece of bread from another fish. Chloe gasped in shock.

‘No, no, no! Naughty Glen,’ Chloe scolded the silly, snatching fish. ‘You know you can’t have bread. It makes your tummy sad. You don’t want to have a sad tummy do you?’

Glen’s guilty gills could be seen skulking below the surface, and he looked pleadingly at Chloe with his big, sad, googly eyes.

‘Don’t pout Greedy Glen,’ Chloe said. ‘I’ve brought rice crackers for you.’

This cheered glum Glen up no end, and he did a little fishy dance flicking his tail in excitement. He positively leapt for the rice crackers and gobbled them all up. Poor Glen could not have gluten without getting a big, bloated belly. It was very unfortunate for a bread loving goldfish. Luckily for Glen he was owned by Chloe Prime who had always been very good with animals. She just seemed to understand them. Glen had been her first patient and possibly most difficult patient. You see Glen was a bit of a glutton and he loved gluten so he was not exactly forthcoming with telling Chloe his issues. So Chloe was forced to use scientific methods in order to help gluttonous Glen. As she fed her fish each morning Chloe had noticed that Glen always got sick shortly thereafter. As he always got sick after food she believed that it must be the food. So Chloe scientifically tested out different fish foods until she discovered that Glen would swell up with any foods containing gluten but was fine when given rice or oats. As a result of Chloe’s careful testing Glen remained a happy and healthy fish some seven years later.

Fortunately future patients were a little more forth coming with information. Dogs would walk past complaining that they itched. Cats would wonder by wanting more water. Frogs would hippedy hop along saying they wanted a friend. Chloe would dutifully pass on this message to their owners. But despite Chloe’s expertise with animals there was one little hiccough. Try as she might she could never quite seem to understand insects. Each morning when she finished feeding her fish she would sit, cross legged with her eyes closed, trying to hear what the insects had to say to her. Sometimes she thought she could almost hear their words but she never could quite work out exactly what was being said. And so Chloe Prime sat, crossed legged listening for a message, on that very morning.

‘Chloe Prime,’ Mum’s voice cut through Chloe’s concentration. It was clear from Mum’s tone that she meant business. ‘I can hear the shuttle, you better come now.’

Somehow Mum could always hear the shuttle a good five minutes before it came. She seemed to have supersonic hearing. Mum could hear all manner of things, there was no keeping secrets of any kind with Mum around. Chloe scrunched up her little nose and twisted her lips, annoyed to be interrupted before she could hear anything. She quickly tossed another handful of bread into the goldfish pond and rushed inside calling goodbye to her fish friends. She really did not want to be late for her first day at school and miss out on any potential exploits.

Chloe Prime was an adventurer to the core. She was only ten but exploration was in her blood and adventure was in her bones. Chloe was related to the late and great Sir Giovanni Colompedia. One of the greatest explorers that the galaxy had ever known, he had travelled the universe in the twenty third century. Colompedia had discovered many new sights; including the very planet that Chloe lived on now. The adventurous Miss Prime was ready for New Earth Beta Campus but was it ready for her?

The inside of Chloe’s home was quite different from the outside. The outside was all lush green trees and ferns mixed with the gentle sound of trickling water. There was a constant gentle hum of insects and the popping noises of air bubbles reaching the surface of the water. The air was cool and crisp and tasted of fresh moisture. Chloe dearly loved her backyard but she also loved the inside of her house. It was white and clean yet still homey and always smelt of something being freshly baked. Chloe ran into her huge kitchen where she found Mum waiting for her, school bag in hand.

‘Can I smell double jam space biscuits?’

‘Already in your lunchbox,’ Mum replied, helping Chloe put on her school bag.

‘Have you packed enough for Joshua?’

‘Of course,’ Mum smiled.

‘What’s for lunch?’ Food was very important to Chloe.

‘You’ll have to wait and see,’ Her mum gently replied, taking Chloe by the hand to walk outside.

Chloe was serious about food and she was serious about flavour. She always loved to try the different things her mum made. Some kids always bought food from the school lunchroom but not Chloe. She always brought something fresh from home. The rich mineral soil of Giovanus meant that all of Earth’s food could be grown along with new delicious alien foods. Chloe felt her mother was aiming to become an expert in it all. Chloe did not know what kind of food she liked best. She enjoyed tucking into an Earthly lasagne as much as snacking on Neptunian urchin fruit. All Chloe really knew was that she was assured of a good lunch today. And to be perfectly honest, does anything else really matter?

Garth Nix Workshop: @garthnix presents at @asauthors

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Yesterday I had the great privilege of attending a workshop run by speculative fiction juggernaut author Garth Nix through the Australian Society of Authors.  Garth Nix has been described as the James Bond of the speculative fiction author world. And for good reason. He’s  smooth, he’s witty, he is internationally successful  and, he knows his business in and out. Coupled with the fact that he rarely does workshops he truly has a reputation for being an international man of mystery.  I jumped at the chance to go, because quite frankly I’d book in to see him read the yellow pages, it’s Garth Nix. However, the question lingers, is he reclusive because he can’t teach or simply because he is so incredibly busy writing, drinking expensive spirits and fighting crime. I can now confidently tell you that it is most certainly the latter.

Garth Nix did something very rare in his workshop, he addressed the ‘Art’ of writing and gave very specific business advice. In my experience workshops tend to focus on the ‘Craft’ of writing and gloss over the other two, whereas Garth Nix divided his time evenly between the three. I’m a bit of a workshop whore so thoroughly appreciated this unique approach. If you’re a bit of an over workshopped hag like me and occasionally suffer from itsallbecomingabitsamesameitis I would thoroughly recommend watching like a hawk for any Garth Nix courses that  come up. You will not be disappointed.

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Stop rambling and just tell me what he said. Okay, I’ll give away a few takeaways from the workshop but because what you take out of a writing course is purely personal the real benefit can only be truly attained by attending them. We are all on different writing  journeys so what inspires us, what we need to learn, what makes sense to us, is all different. So please keep that in mind. It all depends… but here’s a few thing that I learned.

Books are successful because they transfer emotions. You need to put emotions into your characters that in turn transfer into the readers. As such you need to fill up your emotional reservoir.

Write what you know does not mean write an autobiography. You know so much more than your actions. You are a sum total of everything you have read, seen, heard, felt and done. In short, you know so much more than you think you do.

Keep writing. If you finish a book write another story, if you put a book aside write another one. Just keep writing.

Don’t go too wild on your first novel. Learn the craft well before you start being too experimental. A tight focus with a straightforward structure works best for beginners. No need to reinvent the wheel just for the sake of it.

Don’t just rely on grammar to construct beautiful prose. Remember rhythm and euphony.

You need to decide if you’re writing for long or short term gain. Your approach to what and how you write will be different.

I shall leave my giveaways there, I hope to see you at the next course.

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Speculative Fiction Festival at #NSWWC

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Be Careful What You Wish For

As you all know I can’t resist a good festival so I of course went to the Speculative Fiction Festival at the New South Wales Writers’ Centre run by Cat Sparks. A good time was had by all. My main take-aways from the day are listed below. Enjoy.

Garth Nix

  • Garth Nix is so brilliant and so talented that he sold his first short story at the age of 19 to a magazine he didn’t even submit to. No I don’t feel like elaborating on that story because the specialness might decrease and I prefer to keep him godlike in my mind.
  • Garth Nix states that there are no dead manuscripts. A manuscript might not sell simply because it does not fit with the appeal of the time, in another five years it might suddenly be in. Don’t ever throw away manuscripts, resubmit, recycle, repurpose them.
  • Garth Nix said that I could sit in the same sunny spot as him. I died and the ran away. Totes kept my cool…

James Bradley

  • Initially thought that he would live out his days as a poet in poetry excellence of the most poety kind. Turns out he unfortunately needed to have written more than six poems to do this.
  • If you win a cheque, don’t lose it, the organisers of whatever competition or award you won it for will be pissed off that they have to rewrite it.
  • Authors get rejected all of the time. Don’t let rejection deter you because even if you have one success that doesn’t mean that there isn’t a nasty rejection lurking around the corner.

Kate Forsyth

  • Submit your manuscripts typed. Publishing houses don’t generally accept ones hand written in an exercise book that you have illustrated yourself.
  • Always be brave and keep on persevering. Never let your own fear or ego hold you back.
  • Kate Forsyth signed a copy of Impossible Quest 3 for my niece. I am now the favouritist aunt ever.

Marianne de Pierres

  • Internal logic is key to ensuring that your work is believable and accepted by the reader.
  • Marianne de Pierres says she doesn’t know how she feels about a lot of issues hence her characters have different views and she allows them to sort through bigger picture issues. Her works are explorations not morality messages.
  • Write to you personality style. That being style, genre/subgenre, length, strength of message etc. You have to write your novel not somebody else’s.

Stephanie Lai

  • Stephanie Lai starts with a human/scientific problem and then develops the story around that.
  • Stephanie Lai leans towards short stories because she loves quick immediate communication and gratification.
  • Stephanie Lai says to keep the science real but the world fun and fantastical.

Isobelle Carmody

  • Isobelle Carmody crowd funded her book before crowd funding was a thing. That’s how cool she is. She sold shares in her first book for $30 each and agreed to give the money back should she ever be published.
  • Isobelle Carmody has never been rejected. She humbly claims that it is because she takes so long to write her books that publishers are too scared to say no lest she never write another one or takes even longer next time.

Bruce McCabe

  • Bruce McCabe starts with real life problems being explored in scientific labs today, then moves out twenty years and explores what will be happening with those issues and advances.
  • Bruce McCabe feels that trying to box Science Fiction into a narrow definition isn’t productive. That there is a whole spectrum of sci fi ranging from hard to soft and they’re all equally valid.

Pamela Freeman

  • Okay, I am so spun out by what she said to me personally that I cannot even remember what she said on her panels. It would have been insightful too because she always says really good stuff. Pamela Freeman told me that she had read my ebook What Happens in Book Club… and had laughed so hard that she had to read bits to her husband. I nearly died in fangirling overload. I’m not confident that I am actually awake and this isn’t some extended dream. If I truly am awake… GO ME!

Now the bit that you really want, WHAT DID THE PUBLISHERS SAY THEY WANTED?!?

FableCroft Publishing

They are looking for sci fi. Middle Grade and YA. Make sure you read their submission guidelines or Tehani Wessley will cry. You don’t want to make her cry do you?

Ticonderoga Publications

They like anthologies. Love them! So write an awesome short story. Just don’t be sexist, and violent for the sake of shocking rather than for the sake of the story, otherwise Liz Gryzb will cry. You don’t want to make her cry either, do you?

Just quietly, I did pitch to one of the owners the idea of making a The Voice / Literary Pitching crossover show. They weren’t down with it, so if you have any great ideas like that, don’t pitch those to them. Russell Far rather kindly pointed out that although spinning chairs would be fun, they don’t actually see the person pitching as it is, only their words. Good point Russell, good point. However, if there are any TV execs out there who like my idea I am prepared to except my millions of dollars now.

Pantera Press

Their rep was so warm and wonderful that I think everyone wants to now submit every manuscript to them. Seriously, he was lovely and so caring. He was the Rick Martin of the Panel because he had such passion. The rep in attendance likes Romance so I think we’re all switching just to work with him.

Momentum

Genre fiction with a very clear audience in mind. So none of that boundary hopping, all over the place, wishy washy stuff. Keep it tight, keep it focused, keep it commercially appealing.

Harper Voyager

Wouldn’t mind seeing a bit of Epic Fantasy. But please don’t use humour in your submissions, or guilt trips over the fact that your family will starve if they don’t pick up your manuscript. They don’t like that.

Bloomsbury

Submit through the UK website

Hope to see you at the next festival.

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Be what you wanna be. Do what you wanna do. Read what you wanna read. Yeah!

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You know what I am tired of? The need for articles coming out in defense of Women’s Fiction, Speculative Fiction, Genre Fiction in general. Every day my newsfeed has multiple articles on this phenomenon, and sadly, they are still needed. For some reason people just cannot seem to get the point that we do not live in an English classroom where book titles are dictated by necessity so that knowledge and understanding can be tested in a standardized way that the government requires. In real life people can read and enjoy whatever they want… AND WHO THE HELL ARE YOU TO TELL THEM THAT THEY CANNOT!

Sorry guys, I know I went all caps there. It got scary, I was even a bit scared of my own emotions but this book shaming is really starting to get my goat. And if there is one thing regular followers of this blog know, it’s that I don’t like anyone looking at or touching my goat, let alone taking it. Don’t make me go all Liam Neeson on your arse over my goat. I have a terrible Irish accent and nobody will benefit from this scenario. Now let’s get back to the heavy stuff. You’ve had your levity break!

This morning a picture captioned “A call for respectful discussion of Fifty Shades of Grey – It is okay to and welcome to criticize a book. It is not okay to be a terrible person” was on my newsfeed. Yesterday an insightful article by Marian Keyes entitled, “Please can we stop saying ‘chick-lit'” caught my attention. For the former here’s what I have to say, love it or hate it, you have no right to dictate to someone what they enjoy reading. I love reading James Joyce. People often tell me I am a shameless wanker and that Joyce is likewise a wanker and hence we should just die in wankerhood together. It isn’t going to stop me loving James Joyce. His writing just really sits well with me. As does Julian Barnes. It doesn’t matter what you say, I will continue to love them, and read them and reread them. And although I quite happily debate the merits of Barnes and Joyce with people and am fine with people not loving them, when people resort to name calling and put downs it’s a bit much. Those people are poo poo heads, yes I get the irony. Same thing with Fifty Shades, lovers, if it vibes with them, if they enjoy it, if it gives them a moment’s escape from their lives, go for it. Love it, read it. Get inspired, go read more books, yeah! Go ahead, don’t like Fifty Shades, criticize it, but when you start being nasty to people who like it, well you’ve lost the argument, you’ve lost respect, you’ve lost yourself.

As for Marian Keyes plea – please stop saying Chick Lit, I both agree wholeheartedly yet disagree at the same time. Does Marian Keyes, hate chick lit? No, of course not. Is she saying it sucks? No, of course not. Is she pointing out that the term is used as a put down? Yes. Is it a put down? Yes and no. The term Chick Lit is often used by men and women alike, to put down works that focus on women. Novels in this genre tend to have successful female leads, with professional ambitions and a quirky group of friends, add to this a man often comes along and catches the lead characters eye. Then things of course get complicated, job goes to shit, fall out with friends, love interest goes all skewwhiff, then the strong female leads, pulls herself together, gets her groove back, gets her job back, gets her friends back and then the cherry on the cake, last of all, gets her man. Sounds a lot like real life, professional woman + career goals + crazy friends + a bit of romance. Hardly something that should be put down. I mean people rave about the Bronte sisters. They write about the same stuff. “Oh it is just silly fluff, about love,” you hear people say. Yeah, because love is just so stupid. Having meaningful connections is just ridiculous and would never happen in great literature. Dickens, Shakespeare, Virgil, none of these dudes would ever write about silly love stories. To be honest, typically in Chick Lit the love interest is actually the icing on the cake. Don’t get me wrong, frosting is important, I like me a big chunk of butter cream. If I have the choice between frosted or unfrosted… well let’s just call me Elsa. But the female lead tends to have to sort out her career and friends first. That is the priority, it’s not that the love interest doesn’t get a lot of the word count dedicated to them, but the priority, the first things first, goes to career and bat shit crazy friends. Where would we be without out friends? How could we pay rent without our job? It’s a bit realistic isn’t it? Sure it gets mashed up with wit and humour but there’s a lot of deep stuff in Chick Lit, but there is a lot of truth and tragedy included. So why put it down? The answer is quite simply, because we live in a society that trivializes women and their experiences, and for women to get ahead they almost have to turn on their own kind. The bagging of the term Chick Lit is simply a manifestation of that. So as far as I can see you can call it whatever you like, Commercial Women’s Fiction, Women’s Fiction, Chick Lit, Clit Lit, Vagraphy (okay I made that one up, I just wanted to use vag somewhere for my own amusement), the same issue will arise. People will put it down. People, what a bunch of bastards. Hopefully society progresses, that’s what needs to happen, and we are getting there, but until then, no matter how many terms we throw at stories for and about women, they will get trivialized. They’ll sell, because us bitches be smart and good with the books and the learning and stuff, but it’ll be marginalized.

Whoa. Robin, what just happened? Did you just go all overt feminist on our arses. Yeah, I kind of did. Commercial Women Writers tend to do that. Sorry. We give you plenty of shits and giggles, but we give you a message too. Let’s just take a deep breath and hug it out.

#Indigenous Representation in Speculative Fiction

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There is a lack of Indigenous Representation in the type of literature that kids like to read. This is something I initially posted about on my personal Facebook profile rather than on this blog because I was concerned about being torn apart like so many people trying to tackle this incredibly sensitive issue before me. I’m white, I’m female, I’m educated and these days I’m middle class, so what do I know about these issues? True. I am utterly unqualified. I am not an Indigenous Australian, I have not lived an Indigenous existence and I do not live in an Indigenous community. I cannot deny that, nor am I trying too. But I have decided that this issue is too important for me not to say something. So even if I get called ignorant or superficial at least people will be thinking about it. And hopefully those thoughts will help come up with a solution. So here is my Facebook post cut and pasted directly here.

Alright people. I’m doing it. I’m going political… or cultural. I’m going something controversial, not sure of the label but it definitely would have one.

Let’s talk about the lack of representation of Indigenous Australian characters and stories in Australian Literature and “white man’s” (self included) fear of portraying them.

I think we can all agree that there is a lack of Indigenous representation across all genres. Sure there is some literary and memoir style Australian fiction out there looking at settlement/invasion/colonisation, but let’s be honest, how many children sit about thinking, “Gee, I’d love to read some literary historical piece that can be very heavy handed and judgemental.” Not many. They’re thinking things like, “Harry Potter is awesome, Twilight is tots romantic, Hunger Games is the bomb yo.” So if we want our youth (black, white, green, purple, sparkling) engaging with Indigenous issues/characters/themes, then surely we need to but it into novels that they’ll actually want to read.

Now the three novels that I’ve mentioned above that have taken youth by storm are all Speculative Fiction, which to me means Australian writers need to put Indigenous content into this genre. But how can we when we’re too scared too. Yep, there I said it, I admit it, I’m too scared too and I’m not the only ones. Now I’m sure Indigenous authors aren’t too scared to. That they feel totally comfortable writing about their own heritage but there’s a slight problem with that. The problem isn’t only that we have an education gap making literacy levels low amongst indigenous populations low, hence writing a whole novel and going through the long journey to get published quite challenging. But also that even in an ideal world where this gap is bridged, the Indigenous population only accounts for around 3% of the Australian population. And let’s face it, not everybody is born to be a writer, so we’re looking at a very small drawing pool. On top of that not everybody has exactly the same taste is books. Even amongst Speculative Fiction fans you have those that both love and hate Tolkien. So to expect this small drawing pool to produce works of mass appeal is just ridiculous. Sure it only take one, like JK Rowling to come along and inspire a generation, but we cannot expect every writer in the Indigenous community to be the next Rowling anymore than we can expect it of any other community. Not only that, not every writer wants to write for children or young adult. The pool gets smaller yet.

So, how do we fix it? Forced breeding to increase the population? Let the petrified white writer have access to the stories as well? Do nothing but whinge? Do what we do now (self included), have Indigenous minor characters but avoid drawing on the Dreaming or any settings or major characters? I honestly don’t know how this issue can be fixed. I could rather glibly say that stories should be available to everyone. That Celtic and European folktales, myths, legends, history and religion seem to be open slather for anyone to appropriate, so why can’t writers of any culture just draw on anything and anywhere to serve their story. But I can tell you this, I love the stories from Hinduism but I’m sure not going to write about that either. Because not only am I scared that this Celt would unintentionally offend someone but also because I know I would get crucified for it. White writers who tackle other cultures, even previously popular writers, have a history of being torn apart. I, an unpublished, very pale skinned, blue eyed, woman of Scottish and Welsh heritage, am surely not the one to fly in the face of this history and solve all problems. So for my part, I’ll continue to have Indigenous minor characters and refer to Indigenous plants but who will do more? Who can bridge this gap and solve this lack of representation? Thoughts?

I would normally blog about something this lengthy (and yes I know I’ve barely scratched the surface of this incredibly complex and sensitive issue) but quite frankly I have no desire to be called a stupid racist by complete strangers… I’ll leave that to my friends 😉

This rant was inspired by something #KateForsyth said at the Monsters Under the Bed discussion hosted at the New South Wales Writer’s Centre #nswwc about the need to increase the representation of Indigenous stories and the complexities involved in this.

Book Review: Enoch the Traveler Tempastas Viator by Lady Soliloque

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I have been lucky enough to get my hands on an early copy of Lady Soliloque’s ‘Enoch the Traveler Tempastas Viator’ which is to be released in January 2014. If you loved Cassandra Clare’s ‘The Mortal Instruments’ then this is going to blow your mind. ‘Enoch the Traveler Tempastas’ takes theology and science fiction to the very edge and then over into a new dimension.

The story starts simply enough. The heroine Violette driving about in the fog concerned about her perpetually evasive sister. Any fans of paranormal fiction know that can’t be good. Fog is always bad. We’re soon rewarded with a body in the fog, narrowly missed by our heroine. I told you fog was bad. Nothing good is ever in it. Now of course Violette isn’t our typical simpering victim. She’s actually kind of bad ass. This girl doesn’t have slinky cat for a pet she’s got a whopping great big mastiff. So when faced with a body in the fog she doesn’t shriek, she doesn’t rush out ready to apply medical aid, she comes out with gun in hand. And with that, this tiny dancer blows your expectations away and continues to do so.

Now of course our body in the fog is not ‘I Know What you Did Last Summer’ hooked hand serial killer, he’s our hero, Enoch. His sudden appearance is a mystery, his clothes look like a puzzle and this represents the enigmatic nature that he embodies. From the moment we encounter Enoch with his intricate pattern of blood and bruises he’s a riddle we want to solve. He shouldn’t be lying about in the fog, he shouldn’t be in Violette’s driveway and from his archaic way of speaking he certainly shouldn’t be here in modern times. So why is he? And more importantly, how does he know Violette’s crazy sister?

Now as the Whovians say ‘spoilers sweetie’, so I’m not going to reveal any such mysteries for you but rest assured you’ll be thrilled, entertained and satisfied with the answers. For the curious you can find out more on Facebook right now https://www.facebook.com/enochthetraveler or wait until November and look at www.enochthetraveler.com when the website will go live.

Dream Builders- the gifts of speculative fiction writers to emerging writers

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Fantasy readers have long been familiar with Tolkien’s three gifts of reading Fantasy, eRcovery, Escape and Consolation, but what I have come to discover is that these are not the only gifts of Fantasy. Not only are there three gifts for the readers, but there are also three gifts for the fellow writer. I call these gifts Embracement, Academia, and Dream Building.

Embracement
Many a budding Speculative Fiction writer has endured the slings and arrows of outrageous prejudice because they apparently write just silliness. They write about trivial things like believing in the good in people, how hope shall prevail, these are apparently things that don’t mean anything to anyone… Obviously they should be writing about relevant things like sexually ambiguous, serial killers, who love porn, inject heroine into their eyeballs, are charismatically alluring and yet are still the best darned kindergarten teacher around. That’s what real writers write about, real life. Not minority groups like Hobbits showing that they too are of value, that they too can be great. That’s just babyish nonsense. Brethren (I hope you don’t mind me calling you that), if you think that writing about hope and triumphing over obstacles is something that you’d actually like to do, then boy is Speculative Fiction the community for you. They’ll love you for your dedication to fairy tales, they’ll adore your deliberations over exactly what colour a skink that lives in a Mars like environment would be, they’ll accept that monkeys can talk and fly and wield magic and that’s important. What’s more, it isn’t just your fellow fledging writers who will encourage you, those published demi gods will actually come down from on high and actively encourage you. They’ll even remember you. So if you don’t necessarily want to become a starving artist, unappreciated in your time, living in a mental institution, slowly sipping contraband absinth, these people will accept that. Heck they’ll accept it if you do. That’s what is so great about Speculative Fiction writers. They believe in people and they welcome people.

Academia
Yeah, I know, ironic right? Don’t Speculative Fiction Writers just make it all up? Aren’t they writing Speculative Fiction because they aren’t smart enough or disciplined enough to write about and understand real life? No and No. Sitting down with a Speculative Fiction writer is like have a living encyclopaedia in front of you. If you are lucky enough to hear Ian Irvine speak, he’ll cover a range of topics, from the environment, to the history of Speculative Fiction in Australia, to the reasons behind the collapse of Boarders, and then go onto let you know the best way to escape from family BBQ’s in order to get some writing done. Even John Flanagan, who is notorious for claiming he just makes stuff up, can provide you with an eight page dossier on the discovery and usage of coffee in his world. And quite frankly, what Kate Forsyth doesn’t know about pee isn’t worth knowing. It is staggering the vast array of expertise these people have, you cannot help but be inspired to research and write just from listening to them for half an hour. They’re the human equivalent of art galleries and I love to soak them up and you will too.

Dream Building
This is their final, and I believe greatest gift. Speculative Fiction writers are dream builders, not dream killers. They understand that you have a story and that you would love for people to read it. They don’t treat the dream of being published like a dirty thing. Something that you should never dream of. That you should only write for the sake of writing and forsake all other dreams. I think it is because of the nature of Speculative Fiction, they often write about good triumphing, and that deep down people are good, that they tend to be more accepting of dreams and motivations. They tend to skip the thought that people only wanting to write to get published, they cast aside the notion that there are people out there who deeply despise writing and are only doing it to get rich and or famous. These people say, what’s your dream? Work hard, and go for it. Dreams can come true and if you work for it, yours can too. They are willing to encourage you to be the best you that you can be. They accept you, they embrace you, they encourage you to research and work hard, but they also encourage you to dream. And dreams are what fiction is made of.