Tag Archives: JByrne

Book Club ABC Season 11, Episode 7: #bookclubabc

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I’m just going to subtly post this now and nobody will notice that it’s super late. Smooth as silk. No complaints, people will just assume it has been here the whole time and not question it at all…..

Hooray. It’s the highlight of the year. My two great loves together as they should be, Sydney Writers’ Festival (why yes I am a volunteer, how can I help) and THE Book Club ABC with the incandescent JByrne. All is right in the world…. well, except for the fact regular co-hosts Marieke and Ace have been cast aside like last year’s hottest new author that is now being crucified for their follow-up novel having too many POVs…. but apart from that, it’s just dandy.

The title of this episode is Books That Changed My Life. Let’s find out if that means for the better or for the worse, like when Anne McCaffrey suddenly killed off Moreta right when you thought the day was saved leaving a generation of fans emotionally obliterated because we thought somehow she’d sneakily survive but NO. Firstpublishedin1983outsideofspoilerwhinezone!!!

The guests are George Saunders. See his debut full length novel get book clubbed here. Also the much esteemed Anne Enright and OMG she has chosen The Bloody Chamber by Angela Carter, one of my fav books EVER. You and me Anne, all the way, love your work, love your taste. OMG×2 Anne Enright studied under ANGELA CARTER. I am so excited that I am about to pass out! Next guest is Mikhail Zygar. He is clutching Confession by Tolstoy. A less well known Tolstoy about his spiritual awakening. JByrne breaks her own rule of starting to discuss the book before its turn. She’s not happy, apparently the book describes Anna Karenina as an ABOMINATION. I’m sure we’ll hear more about that later. And finally, Brit Bennett, who is the most spectacular speaker. If you ever get the chance to hear her, do go. She has chosen Beloved by Toni Morrison. I have goosebumps just thinking about it. It’s a book about a woman who kills her own child to prevent her from going back into slavery…. I might cry during this episode. It’s such an amazing book. Very powerful.

Now it’s time for our first guest to present their book for discussion. George has chosen The Coast of Chicago, a short story collection by Stuart Dyvek. He loved it. It was about his city. He got to see the work necessary to change a reality into fiction. Prior to that, he felt that all good books were from the past, this book showed him how amazing contemporary literature can be. It changed his whole approach to writing. Now if this was a regular episode this kind of heartwarming attachment would be blown apart by either Marieke or Ace savaging it. Let’s see how the SWF guests go.

Anne Enright says that Stuart Dyvek is endlessly writing about lightbulbs, but he writes about them fantastically. He apparently also digs precipitation, and Anne likes that. JByrne points out he also likes to write about lonely people.

Nobody has hated it. JByrne realising her sassy compadres are missing has to bring in conflict on her own. She askes George what would he do if someone hated it. George says he taught it recently and half the kids didn’t love it. He didn’t flunk them. He accepted that Dyvek was doing something bold so would leave some people behind. Burn.

Speaking of bold, Bloody Chamber time. Brilliant retake in fairy tales. Lush, decadent, violent, and deeply sexual. Anne says, ‘it’s so good, it’s wrong.’ JByrne said she didn’t get how transgressive it was when she first read it. Anne said she told one of the stories to her two year old daughter to cure the pink problem. One can imagine it was edited slightly for a two year old?

Brit particularly liked Puss in Boots. JByrne says it was very Antonio Banderas in Shrek. Hmmmm, maybe Shrek needs to pay some royalties. Brit points out that the princess also becomes the ogre…. Did the makers of Shrek pay???

Anne loved the freedom to turn something on it’s head. She liked that you could work with opposites and reclassify. When Anne wrote The Green Road she thought, ‘I’ll do a female King Lear.’ Angela Carter had given her that freedom and flexibility in thinking and creativity. 

Time for Mikhail and Confession. JByrne calls it a spiritual midlife crisis. Mikhail says it’s more politics. Fight, fight, fight. Mikhail says it was more end-life, not mid-life. Tolstoy had stopped writing fiction and started becoming political and a leader of alternate Russia. A beacon for those wanting freedom. 

JByrne feels like it was metaphorical self-flagellation. He was lamenting his wild youth and him popularising Anna Karenina. Anne points out it is also a humble brag. He points out his huge achievements whilst seemingly undercutting them.

Mikhail says that the book is important to him because for him Tolstoy’s Russia is greater than Putin’s Russia. That there is the alternative that seeks freedom and expression, and Tolstoy is the symbol of that. Okay, Mikhail has won me over. I shall re-read Confession with new eyes.

Time for Brit’s choice, Beloved by Toni Morrison. A book that looks at how does a country deal with its past traumas. It is about a woman who escapes slavery and when she is about to be captured she makes the heartbreaking decision to kill her children rather than see them tortured, humiliated and brutalised beyond belief back in slavery. She is then haunted by the ghost Beloved, the child she had killed. The ghost eventually takes on bodily form and returns to her life. I am just going to go grab a million box of tissues. I personally have only read this book once but it is incredibly powerful and stays with you. George looks like he is going to cry too.

Brit says this isn’t her favourite Toni Morrison novel but it is one that she has read countless times because it does what she wants her own work to do. It is beautiful, it is brutal, it is important. The book does all three things and it centres around the black community. And it is highly nuanced. Brit says that Toni Morrison was not interested in looking at white people at all, what white people did was horrific and there can be no question about that, but what Toni Morrison looked at was the black community and their own responses to give insight and a voice to individual and community trauma.

Anne praises Beloved on how it is so perfectly structured in a traditional sense and yet does such amazing and innovative things. JByrne also praises the innovation. Anne calls it political writing at its finest.

JByrne asks how important is timing for when you read a book. George says it is crucial. Often great advice only has a two week window for being effective. Anne says we read in a searching way so timing is everything. Mikhail agrees, he says reading is 50% the writer and 50% who the reader is. So each time you read you’re a different person and get a different message. 

JByrne asks will books always be a force for change. Brit says yes. For example Beloved tackles what is still the most important question in American politics today, what do we do with the ghosts of slavery, and nobody knows what to do about it. I wish we could get to this point with the Stolen Generation and the White Australia Policy, but unfortunately we’re still denying that it was really that bad and not even up to wondering how to help.
And that’s a wrap. What an emotional episode. Loved it.

Find last episodes recap here.

View this episode or previous episodes here.

Find the Book Club ABC on Twitter here.

Find the Book Club ABC on Facebook here.

Find the Book Club ABC Drinking Game here.

By George Saunders books here

Buy Anne Enright books here.

Buy Mikhail Zygar books here.

Buy Brit Bennet’s book here.

Buy my book here

Read up on the Australian book industry in Robinpedia.

Love me herehere, and here.

Congratulate Marieke on becoming the festival director for MELBOURNE WRITERS’ FESTIVAL here. WOOOOOOOOOT.

This is my friend, I like her, follow her here.

This is also my friend. She’s a hotshot writer like you see in the movies. You should follow her here.

I have other friends, I really do. Find some here…. here… AND here…. and also very importantly HERE!

Find my idol here.

Find my guru here. Sharon also follows him, she can tell you about that here.

Are you following Tania? You should. She’s here.

And don’t forget Emma. You gotsta find Emma here. She’s rad. And she teaches me new words… such as blowie. Rachel can attest to that, find her here.

Find out something different you can do for #RUOKDAY here.

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Book Club ABC Season 11, Episode 6: #BookclubABC

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Buckle up mofos we’re in for an existential ride. Gone are the traditional author and journalist guests, we’ve got a director and an artist. It’s probably going to get weird. I saw this recorded so prepare for some extra tidbits that didn’t make the cut.

JByrne introduces guest noted feminist director Jane Allen. JAllen has chosen the classic text, but before she may speaketh its name we must listen to Simon and Garfunkel, I like Simon and Garfunkel but this is not my fav. It is the theme song for Watership Down. JAllen is then allowed to say that she has chosen Watership Down as the classic.

JByrne moves on to introduce artist Ben Quilty. He has won lots of awards for artery so he’s kind of a big deal. She says that Quilty is their fav…. WTF! What about Michael Williams? What about Toni Jordan? WHAT ABOUT VIRGINIA GAY? What is happening? I just don’t even know how to think or feel anymore. Yes I do, unjustifiably bitter. Look at him sitting in his Led Zeppelin T, like he’s so cool. Pffft.

 

Time to talk about new releases. Anna Spargo Ryan’s The Gulf has been released into the wild, its cover is delicious. Inga Simpson also has a new book out. Hooray. It’s called UNDERSTORY: a life with trees. You need to check out these two titles. They have the two of the most beautiful covers that these eyeballs have ever seen.

 

This has JByrne thinking about trees. She says they’re having ‘a moment.’ There was The Hidden Life of Trees and like heaps of other stuff for realz. She asks Ace why there are so many books about trees at the moment. As the Literature overlord of Fairfax he knows all about literary buso and will surely know what the G O is. He says it’s because books are like metaphysical cannibals having trees destroyed to make them and then writing about the corpses that brought them to life. That’s dark. Could someone please give Ace a cuddle? I volunteer as tribute. He then suggests it’s a fascinating topic and people want to know how they communicate. Marieke quite rightly points out that anybody who has read the Enchanted Woods knows, they say wishawishawisha.

 

And now it’s time to move onto the modern text, Killers of the Flower Moon by David Grann. It details the attempted genocide of the Osage Indian nation. The reason they were hated enough to be wiped out? They got rich because the land they lived on contained oil. It looks at the FBI investigation into the murders and uncovers that the horrors were far worse than were depicted at the time. JByrne says that the book has been touted to answer, who was killing the Osage? She suggests a better question would be, who wasn’t? Quilty says it was pretty full on. Bit of genocide = fully full on!

 

JByrne laments that this really wasn’t that long ago. People had cars and telephones, this isn’t ancient history. She wants to know why this story hasn’t been told before. Why didn’t people care enough earlier? Ace suggests that because they are such a marginalised group that they weren’t heard, they couldn’t speak out. He says that this was a brilliant piece of investigative journalism and that now the story is out and people will care.

 

JByrne goes to read a quote about just how powerful this book is, fades off as she is overcome with emotion…. Or she remembers that she is not wearing her glasses.

 

JAllen says it was a compelling story but not a great narrative because the scope was too broad for the structure the book used. Fizzzzz. Passion killed. There were times when there was just too much research dumped without getting a sense of the emotions. She also wanted to know more about the Osage and how they felt and reacted.

 

Marieke has her back, she says that it was a dry telling of an emotional story. Jane puts her director’s hat on and says it would make a brilliant TV series. She would restructure the bajeebers out of it. She’d start with the ending, where it had a narrow focus and a strong emotional core and work her way back. I love someone bringing their different area of expertise and perspective to reading the book. How refreshing. Marieke would watch that show, because the book was a bit like the Excel spreadsheet telling of the story. Woah, back up there. Who doesn’t love a bit of data entry?

 

Quilty says that the distance was necessary because the author was not part of the Osage community. He cannot speak for them, he can simply report. He points out that all those horrific details are there and that it is the reader’s responsibility to bring the emotion to it. Just like when you’re viewing art, you need to bring your own heart into viewing it. I’m liking hearing his artist viewpoint on reading a book. But more than that…. His voice. There is something quite magnificent about his voice. He sounds like Eric Bana.

 

JByrne raises the horrific point that there were white men marrying Osage women, having children with them, and killing off the rest of their family so that they could get control of the money. They were so driven by money that they would marry someone just to murder their families and it wasn’t just one man, it was several. And now everybody is talking. They’re arguing. I can’t understand what is being said. Somebody hold me. Surely we all agree that is horrific?

 

Time to pull out the big guns. Cultural appropriation. JByrne lays down the gauntlet and asks if people had issues with David Grann writing about the Osage nation. Everyone is cool beans about it. (Nobody mention that the panelists are all white) They say he obviously spoke with them, there’s even comments from representatives in the book, and he was very respectful about it. He more reported on these horrific events then tried to speak for the Osage. JAllen points out that this extensive piece of investigative journalism will bring a flood of interest and allow Osage writers to come forward and tell their story from their perspective. She for one is now craving a story from their perspective and hopefully this new interest will make publishers see this as financially viable and these stories will get picked up.

 

And now it’s time for By the Bed

 

JAllen says she’s a space nerd and reading Packing for Mars.

 

Ace is reading Collected Stories of George Stalter. Okay, I made up the name I didn’t quite catch it.  JAMES SALTER! The author is James Salter.

 

Quilter is reading Cooper’s Creek…. He sounds so much like Eric Bana. I’m just closing my eyes and imagining that Eric Bana is telling me about what is by his bed. Oh my goodness. What is happening? My nickers have literally caught fire.

 

Marieke says she’s a death nerd and is reading Sex & Death.

 

JByrne is reading When Breath Becomes Air.

 

It’s time for the classic that much loved children’s novel, Watership Down. JAllen is charged with introducing it as she chose it. She tells us that characters die. She goes on to say that Charlotte dies in Charlotte’s Web, Bambi’s mother dies, characters die all the time, and that’s life. She said she chose it because she had such fond memories of it as a child.

 

She does note that it is a bit problematic in that all the characters with agency are male, it was a bit racist, but that passed her by as a child. On her recent rereading it was glaringly obvious. She notes that this is a symptom of the patriarchy that female children are trained to just accept that everyone having adventures are male and women are off making cakes and having babies. And that is the standard that we are supposed to accept. She says this book and its nod to totalitarianism is still relevant because of Trump.

 

Time for Ace to tell us how he really feels about Watership Down. He says he was bored shirtless, I mean shitless. He was not the target audience. He really didn’t enjoy it at all until the depot baddies arrived. As a consolation he offers that he quite liked the way nature was written about and gives JAllen an apology carrot. That is not some crazy euphemism, he gives her a literal carrot. And he brings enough for the whole class. Awwwwwww.

 

Marieke says she was first introduced to Watership Down by the Goodies paradoy, she quite liked that, and she liked this too. She says she’s a friend to the animals and liked the talking rabbits. Apparently talking rabbits are okay, but last week she could have done without the talking dog in Jean Harley was Here.

 

JByrne loses it. She just starts laughing. She says she thought that these self-important rabbits having deep conversations were ridiculous. They’re rabbits, they don’t have deep and meaningfuls. Marieke disagrees.

 

Quilty felt that the book was indeed a bit berserk but he still liked it. He is a bit disturbed that Richard Adams wrote the book for his two daughters and the lady rabbits are pretty much kidnapped to become breeding slaves, but suggests we put that aside for the moment. LET’S NOT PUT THAT ASIDE!

 

JByrne just wanted to get those rabbits and put them in a pie. Ace wanted them with gnocchi, I feel like they aren’t vegetarians.

 

Marieke did find reading this book slightly scarring reading it so close to The Handmaid’s Tale. Given that both have breeding slaves, and reading about them not just being glossed over in The Handmaid’s Tale, brought a whole new level of emotion to Watership Down. English teacher’s there’s a perfect pairing for you. No more dystopian and dystopian, do dystopian and children’s.

 

Quilty says that it is a beautiful story for children… except for there are no speaking females. Hmmmm, maybe we should interrogate that?

 

JByrne asserts that the book is ridiculous and that the only good talking animal books are talking horse books. All other animals speaking are just silly, obvi.

 

Holy crapola! Get hold of your drinks!! There’s a quiz!!! THIS IS NOT A DRILL. You know what The Book Club ABC Drinking Game compels you to do (responsibly and only if you’re over 18 and have no medical issues and aren’t operating a vehicle or heavy machinery etc).

 

Spoiler alert, Marieke’s team does not win. Make sure you watch it on iView or iTunes so that you can experience the full glory of Marieke being forced to be part of a quiz. Words, even my own, simply cannot do it justice.

 

And that’s a wrap. Next week is a star studded panel with Marieke and Ace being boned in favour of all Sydney Writers’ Festival (why yes I am a volunteer, how can I help?) guests. They will be discussing books that changed their life. In the meantime, listen to Ben Quilty’s magical voice on YouTube and think of Eric Banner. I know I will be.

 

Catch up on last week’s recap here.

 

Grab the drinking game here.

 

Watch past episodes on here.

 

Buy my shit here.

Just quietly, why not step out into sunny Sydney tomorrow and partake in The Sydney Writers’ Festival.  At Science House there are fantastic workshops being run by CS Pacat and Kerrie Davis, Niki Savva is speaking at the Roslyn Packet Theatre, Anne Enright will be at the City Recital Hall and Anita Heiss will be kicking off literacy with Justine Clarke on the Curiosity Stage, plus so many more great events throughout the day and rest of the week. Hope to see you all there.

ABC Book Club Season 11, Episode 4: #bookclubABC 

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Image shamelessly stolen from @thebookclubABC

​It’s here, it’s really here. Atwood day. I saw this live so there will be secret extras that hit the editing room floor. Ooooo exclusive. The Book Clubbers are discussing The Handmaid’s Tale. Yes I am wetting myself with excitement. Even the great Atwood herself knows that I am wetting myself with excitement. Heck, she retweeted me talking about my leaky bladder of excitement. 

So let’s just say I’m stoked. I can tell even JByrne is excited about this. She’s supercharged herself with horse power, wearing a horse print blazer. Giddy up. Of course there is guest CS Pacat who is always dressed as if ready to go for a quick trot and Zoe Norton Lodge, who is a unicorn. The most magical of horse creatures. Unless there are any centaurs or pegasus reading this, then you guys are, fuck the unicorns. And Ace is clearly a stallion. Neeeiiiggghhh. This horsey team, accessorised with Marieke the kitten, are all geared up and ready to canter into action. We could be forgiven for assuming that the modern text being discussed tonight is about horses. It is not. It is Lincoln in the Bardo, which is a heady mix of….

THERE’S A TISSUE ON THE GROUND. A TISSUE!!!!! Stop looking at it. No, I can’t look away. Must look away and concentrate BUT THERE’S AN EFFING TISSUE ON THE GROUND. Is it multiplying and then unmultiplying? Continuity!

Forget the tissue. They’re discussing how Lincoln in the Bardo is George Saunders’ first full length novel and that he is considered to be the master of the short story form. Apparently people are super psyched that he’s put together a novel. Important people are excited.
But first JByrne has to tell us what is going on in the literary landscape at the moment. She says that the latest Harry Hole thriller is out, I can’t get down exactly what she’s saying, but trust me the words aren’t important. What is important is that she sounds like Jimmy Fallon’s imitation of Barry Gibb and it is GLORIOUS. 

It has been fifty years since Picnic at Hanging Rock was published. We must obviously all go on a picnic together. Marieke mentions a haunting tale of a young Marieke, roaming the areas where the iconic Picnic at Hanging Rock was filmed, she got her knee stuck in the rock there. That’s it, shut that place down. It tried to eat Marieke. It’s haunted. Case closed. Foxtel is apparently putting out a new version of it. I hope it is not as cursed.

Time for the dramatic recreation of Lincoln in the Bardo. Is that a banjo I hear? An off key banjo? Oh, it’s just an off key guitar. My least favourite kind of guitar. Rhythm, lead, base, whatever, just let it be in key. It outlines that the inspiration for the novel was that when William Lincoln died his father, honest Abe, used to visit his grave and hold his dead body. This historical event combined with the Tibetan concept of the bardo, a place where spirits linger, became this novel.

JBryne warns the viewers that Lincoln in the Bardo is complicated. What? 166 voices is complicated all of a sudden. Who doesn’t like a casual stroll through 166 points of view? Who???? One of my friends described it as book that would be best received by wankers who didn’t get it but wanted to pretend they were smart and did. Let’s see if the panellists are kinder than my friend.

Ace says he loved it. It has a cast of thousands and you are in limbo, what’s not to love. It is explained that there were three main voices:

1) Horny old man that you’re introduced to on the first page

2) A guy who committed suicide and regretted it (they always regret it in literature)

3) A priest who scared himself to death

They’re a lively bunch despite being dead. JByrne says that this book had her streaming with tears. The idea of a grieving father sneaking off to his child’s grave to cradle his little body is heart wrenching. Marieke liked this voxpop style account of people who knew William Lincoln in life and in the afterlife.

JByrne admits that she was confused at around page 25, that she had to go and have a little moment, and then she came back to it, and loved it. Ace says that trusting the author is crucial to enjoying this novel. He says if you have faith that the mist will clear and the truth will be revealed. Amen.

CS says that she did not relax during this novel. She had to keep ducking onto Google to fact check it and see who was real and who was fictional. I leap up and kiss the television and whisper, ‘Me too.’ 

She said that it clashed with her personality type and that she couldn’t relax. She also points out that people trying to mythologise American history isn’t her favourite thing in the world. That there’s enough “America is the greatest nation on the planet” stuff out there without it having to be made into the stuff of legends.

Marieke points out that it was pretty bold to choose a real person and a real death rather than explore grief in an entirely fictional setting. CS says she read an interview with Saunders about Lincoln and grief that she found fascinating. She’d highly recommend that anyone read it. She did not so much love him stretching out this exploration into a full length novel.

JBryne goes to say something about how she liked the extension but Marieke has had enough of this conversation being devoid of ghost penis and says it is time to talk about it. She says there was too much ghost penis, too often, and she would have liked the book even more with less ghost penis. She said that the novel was a bit busy in some places so she couldn’t quite picture it all but the ghost penis was right there and very noted.
Zoe liked the business. Says she liked it better than the actual plot. The hunter surrounded by all the animals he’d killed was her favourite.

The panellists touch on some of the problematic areas, like Lincoln signing the declaration of independence because he got possessed by a slave but overall they loved it.

They play a segment from the audio book. We’re all meant to be blown away. I can tell by the very moved look the panellists are affecting. Every famous American actor alive is in it. Everyone wants a piece of Saunders. His publishing house is clearly throwing everything at this. If it wasn’t a success with this kind of push we’d all be stunned. Marieke points out with all this backing it is the literary equivalent of Ellen’s selfie at the Oscars. Apt.

Time for a bit of By the Bed.

CS is reading Simon Vs the Homo Sapiens Agenda. (I love her brain so shall be reading it)

Ace is reading The Visiting Privilege by Joy Williams new and old collected short stories.

JByrne is reading Golden Hill. (Currently reading it, will review shortly, it’ll either pop up on this blog or with the boss ladeez over on Newtown Review of Books)

Marieke is reading Insomniac City by Bill Hayes. He’ll be at The Sydney Writers’ Festival, and why yes I am a volunteer. How can I help?

Zoe is reading Butcher’s Crossing.

Now it’s the moment that we’ve all been waiting for; HANDMAID TIME!!!!!!! Its central character is a breeding slave in the future who once had a loving home and family. It is essentially the story of exactly where we’re headed with misogynists such as Donald “grab them by the pussy” Trump reigning supreme. Atwood kept saying this wasn’t sci-fi, it’s sci-fact people! I am popping aside my lightly sparkling moscatto and picking up a cup of men’s tears for the rest of this episode.

CS says that she has read this book at three different stages of her life. First as a teen. It was a revelation and the discussion around totalitarianism in the book was amazlips. She then read it in her twenties (wait, is she out of her twenties?) and thought it was 80’s white woman feminism and it was time to come further in the world. She read it again for this and was like OMFG this is amazlips, this is the shit right now. 

Ace said he found it frighteningly relevant. He says that it was measured, fierce and not at all hysterical, and that it made him feel uncomfortable as a man. Good. Might explain why he dropped the h word. Marieke suggests that, as a man, Mike Pence gets naked and rubs himself on this book at night. She agrees that it was a cool, calm, clinical fury. The anger was so contained and focused and Marieke loved it.

The magical unicorn Zoe gallops in. Isn’t she sweet and lovely? She says that she found the stakes too low in the book. WTF! Women are kept as baby making slaves and routinely raped and the stakes aren’t high enough. Unicorn life must be pretty rough. She says it was all a bit samsies and kept moving at the same trajectory and she’d like to see more danger…. Because they weren’t already at maximum danger? Cold, Zoe, cold. She says she liked 1984 better. My mind is being blown by this and not in a good way.

CS says that the unfolding horror kept her turning the pages. Zoe is a bit meh. She enjoyed that men could be literally torn apart, but she wanted a bit more of that. 

What the fuck happens in the unicorn world? Clearly savage. Ace and JByrne say they both found it terrifying. JByrne also points out that 1984 is a bit irrelevant now, it’s completed its cycle and purpose, whereas this is still so current. The other panellists argue that 1984 is still relevant. JByrne talks about communism and how 1984 was a fearful response to that. Met with more arguments. I want her so desperately to say, it’s called nineteen eighty fuck four. It’s literally past that date. She doesn’t. She’s a better person that I. She does however give the other panellists a big case of WHATEVER and says The Handmaid’s Tale is better than 1984. Agreed! I hi5 my television screen, and pin a vag badge on to JByrne’s image.
Zoe, somehow sensing that JByrne has been awarded a vag badge, and CS has been given a screen pash tries to lift her game. She acknowledges that having to lie down across your mistress’s lap whilst her husband rapes you in order to impregnate you is bad. She says it’s not a good sex sandwich to be in. It’s one of the worst tasting sandwiches ever. Nobody wants to be part of that sandwich. If that’s the only sandwich on offer, she wants no part of it. Subway withdraws any offers of sponsorship to both Zoe and Atwood. 

JByrne starts reading a quote from the book spoken by a misogynistic wanker. Steam is coming out of her ears. She’s mad. She’s sick of smug men looking down on women and making condescending remarks, and they’re still doing it in the bloody future. Holy bajeebers! She’s throwing the book. She’s thrown the book! This is not a drill. There has been a book throwing. She’s so angry that she has thrown that book. Smash the patriarchy. Throw some shit. You go! You rage against the machine. The future is female. This is so fucking brilliant I am crying tears of feminist joy. Damn the man.

And that’s a wrap people! Not the sandwich kind of wrap, the finishing up kind. No more sandwich talk. We don’t want any more gross sex sandwiches. I’m excited. You’re excited. Let’s all just sit here in sheer ecstasy for a moment. And I’ll see you all next week. Cannot wait for next week.

Read last week’s recap here.

Catch up on episodes on iView here.

Find the drinking game here.

Buy my shit here.

Find The Handmaid’s Tale television series on SBS on Demand from July.

As an aside, I think I also need to mention that there has been another attack on the arts this week. Fairfax is laying off a quarter of their staff. A quarter. They want to remove all specialised literature and arts staff. Apparently they think that there is just no specialised skill needed there and just any opinion piece writer can do a high quality job. NOPE! Snide, nasty, general reviews are on their way out. People got a laugh for a while but those reviews were far more about the reviewer than they were about any book. Now people have had their laugh and they actually want to get back to getting decent and thoughtful information rather than just personal opinion. You’re well behind the ball Fairfax. Pay your workers and get the quality content up. That’s what people will pay to read, not the click bait same shit as everywhere else. WHY WOULD WE PAY FOR SOMETHING WE CAN GET FOR FREE EVERYWHERE ELSE??? MAKE QUALITY AND INTEGRITY BE YOUR POINT OF DIFFERENCE! 

And while I’m at it, don’t think we haven’t noticed that the ABC has  cut The Book Club ABC back to eight episodes. Don’t think we haven’t also noticed that the ABC previously cut a whole heap of their science department. This is how people like Trump win. This is how The Handmaid’s Tale gets actualised. Dumb down our media, get rid of people wanting to critique and replace them with people just wanting to prove that they’re terribly clever and get famous. We need to demand integrity. More shows on the arts, more shows on science. More critique. More integrity. More fact checking. More Jason Steger. Less cheap attempts at appearing relevant. Actually be relevant. Deep breath. Rant over.