Writing Teachers I Love #SelfPubIsHere

Last week for #SelfPubIsHere I spoke about editors that I love, people who make your manuscript glow. But what about before you have a manuscript? Are there people who can help you before you have finished, or before you have even started? The answer is quite simply yes, writing teachers exist. And fortunately we live in a time where there are more and more teachers available to learn from. I’m going to share with you some writing teachers that I love and where to find ones that you’ll love too. And if there’s one thing I know, it’s quality teaching. Not only did I teach for over a decade, including being Acting head of English, Drama coordinator, placed on secondment briefly to the body now absorbed by NESA amongst many other things, BUT I also studied directly with the creators of Quality Teaching and Productive Pedagogy. So trust me, I know teaching, and I say these people are awesome.

Toni Jordan is a truly incredible teacher. The three scenes that are consistently held up as excellent by critique partners of my WIP were all written during Toni Jordan’s Character and Dialogue course held at NSW Writers’ Centre. She is Melbourne based and has lectured at RMIT, presented extensively at The Wheeler Centre, tutors at Writers Victoria, and indeed lots of other places too. You can even get personalised mentoring from Toni through Australian Writers Mentoring Program. She has really strong opinions on structure and dialogue tags and is not afraid to state exactly what they are, which is very useful in a teacher. And although her opinions are strong she is never brutal; think of Toni as the epitome of firm but fair. Find Toni Jordan’s website here. Find her books here. Find Toni’s Robinpedia entry here.

I was lucky enough to do Pamela Freeman’s two day speculative fiction course a few years back. Since then, she has taken me under her wing and allowed me to ask her all sorts of inane questions. She is the kind of teacher who continues on thinking about her students long after the classroom door has closed and the lights have been shut off. She is very much the mother duck of the Australian writing teaching world, but with a truly wicked sense of humour. She has a PhD in writing, she knows her stuff, and she’s quite forward in telling people what she thinks. And you’re in luck, because Pamela is currently supercharging her Advanced Fiction Writing Course at AWC. She is a regular teacher at AWC who also have a mentoring program, teaches occasionally at NSW Writers’ Centre, pops into a couple of Sydney universities, and all around the place really. Find Pamela Freeman’s website here. Pamela gets bonus points for following along on the #SelfPubIsHere twitter storm. Find her books here, and her books as Pamela Hart here.

Kate Forsyth made me tear up my prologue, literally. She didn’t even read it, she just asked me a few questions, didn’t like the sound of my answers so told me to rip it up. Shocking, I know, but… she was absolutely right. Kate is able to get to the core of your writing very quickly and gives crisp advice that will improve your manuscript immeasurably. I don’t go anywhere without her plot arc worksheet. She is a regular teacher at AWC, also teaches at NSW Writers’ Centre, a few universities, and pretty much everywhere else including overseas. Find Kate Forsyth’s website here. Find Kate’s books here. (And I know she’d also love it if you could check out her cooking and books show, Word of Mouth TV.)

A woman that needs no introduction, Anita Heiss. She’s pretty much an icon in Australia. When I was volunteering at one of her panel events at the Sydney Writers’ Festival we had to form a separate line for her signings. She is a really practical teacher who urges writers to listen to their readership. She’s all about knowing what you write. Very thorough in her approach and her preparation is phenomenal. I was lucky enough to do a workshop with her at NSW Writers Centre but she teaches at a lot of other places too. Keep your eyes wide open to see her courses pop up and book quickly. Anita Heiss’s website can be found here. Find Anita’s books here.

Emily Maguire is a very quiet and serene teacher. She is never without an encouraging word for people and always listens to students thoroughly before responding. Emily also provides so many worksheets for you to take home so that you can continue to look back and relearn for years to come. She teaches the hugely popular Year of the Novel course at NSW Writers’ Centre and so you get to learn from Emily all year long. Find Emily Maguire’s website here. Find Emily’s books here.

One of the most exciting speakers I have ever seen is L.A. Larkin. She is very animated, very witty, and above all else, very clever. L.A Larkin mainly teaches in the UK but lucky for us the AWC recently snapped her up to teach crime writing so she’s not just swanning around British universities anymore, we can learn from her in Sydney. You can also find her speaking at a variety of other places, check L.A. Larkin’s website for details here. Find her books here or even here. Find L.A. Larkin’s Robinpedia entry here.

Jan Cornall is the first writing teacher that I ever had (aside from school) and she blew me away. She is a very calm person and has a soothing effect on the soul. Jan utilises short bursts of meditation in her teaching and, despite the fact that I am truly crap at meditating, it really works. She teaches at WEA, NSW Writers’ Centre, pretty much everywhere and runs her own draftbusters course in the Inner West that I cannot recommend highly enough. Find Jan Cornall’s website here. Find Jan’s books here.

I have long testified that Walter “the inconceivably incandescent” Mason is like viagra for the creative soul. This man simply oozes love and passion. To sit by him is to sit in the presence of inspiration. But he doesn’t just sit about being all inspirational, he also gives concrete tasks to do. He really is a spectacular speaker and I urge you to go see him whenever you can. He regularly teaches at WEA, Sydney Mechanics’ School of Arts, NSW Writers’ Centre, Ashfield Library, and pretty much everywhere you can think of. Find Walter Mason’s website here. Find Walter’s books here. Find Walter Mason’s Robinpedia entry here.

Alison Croggon would come close to being the queen of Australian literature. She’s a poet, a spec fic writer, an opera critic, and so much more. You want to know how to write an arts submission? She’ll teach you. You want to know how to write a proper poetry review? She’ll teach you. You want to know how to write a fantasy novel? She’ll teach you. And, like Toni, you can have Alison all to yourself through the Australian Writers Mentoring Program. Find Alison Croggon’s website here. Find Alison’s books here. Bonus, she’s a huge #SelfPubIsHere advocate.

I did a Garth Nix course through ASA waaaaayyyy back in 2014. I rarely see his name crop up on workshops so was eager to attend, I think it pretty much booked out on its first day of advertisement. First up, the food they provide for the ASA courses is fantastic, seriously, if you haven’t done a course there yet… well… do it! Secondly, I was really impressed with how Garth took a different tac than many other teachers. He was explicit on who to pitch to, he was explicit on filling up your creative bank. It was a very informative workshop. He said nice things about my WIP, and as I am a complete saddest I have subsequently changed it from being set in Germany to Australia, from first person to third person from present tense to past tense. Whyyyyy??? Imagine what I would have done with negative feedback or if he’d actually suggested any changes? Burned my laptop and thrown it from the Harbour Bridge? Find Garth Nix’s website here. Find Garth’s books here.

Cass Moriarty is from up above… in Queensland. She is a tireless supporter of writers and somehow manages to write novels, write reviews of ALL the books, teach and be a doting grandmother. I am in awe of this woman and have no idea how she does it all. Her motto is ‘I can adapt’ and she brings that to your manuscript. You can find her floating about up at Queensland Writers Centre where she does workshops and mentoring. Find Cass Moriarty’s website here. Find Cass’s books here. Find Cass Moriarty’s Robinpedia entry here.

Thriller, chiller, and teacher Tania Chandler has been writing and editing for years. Recently, we’ve been lucky enough to see her helm her own workshops. She brings a wealth of experience with her, and is a very dedicated teacher. If you get a chance to get to SPAN Community House Inc. book in for a course with Tania. Find Tania Chandler’s website here. Find her books here. Find Tania Chandler’s Robinpedia entry here.

Aleesah Darlison is here by very special request, my 6 year old daughter’s request to be precise. I have not had the pleasure of learning from Aleesah but my daughter has. Aleesah visited her school last year and my daughter assures me that Aleesah is the best teacher ever, and very qualified. My daughter tells me that Aleesah has written over 100,000 books, and writes 1000 a week, so I’m fairly confident she’ll teach you a lot about time management, and possibly how to create time vortexes. We actually owned quite a few of Aleesah’s books before she went to may daughter’s school so my daughter’s claims are way less exaggerated than you think. Aleesah is a powerhouse. My daughter rarely steers me wrong so in order to keep tabs on the clearly enchanting Aleesah Darlison find her website here. Find Aleesah’s books here. Find Aleesah’s Robinpedia entry here.

And no list could be complete without #SelfPubIsHere rockstar Ellie Marney who teaches both YA and self-publishing workshops.

I am researching bad covers for my self pub workshop tomorrow – some of them are like pic.twitter.com/RFPFqtn5cz

— elliemarney (@elliemarney) January 16, 2018

You can find her slinking around Writers Victoria and plenty of other places too. Just keep those peepers peeled. Find Ellie Marney’s website here. Find Ellie’s books here.

This is a list of general writing teachers that I highly recommend, I will do a blog entry on self-publishing specific courses later on. Now of course there are other fab writing teachers out there and I can’t possibly go learn from every single one of them, so I’d like to hear about who you love. Especially those fab teachers such as Natasha Lester who I hear so much about from WA friends. Which writing teacher really boils your potato?

Find friendly writers organisations here. Just click on “8. What other organisations in Australia support writers?” These places have been created to help you grow. They can and will help you. They have an array of courses and resources.

See #SelfPubIsHere featured in Books+Publishing here.

Also in Australian Self-Publisher here.

Read about my #SelfPubIsHere Festival dream here.

Read the article that kicked #SelfPubIsHere off here.

Read about my experience of being a dyslexic writer here.
Also, cough-cough, find my book at Booktopia or anywhere.

P.S. HAPPY TOWEL DAY!

Let Me Love You!

Recently Lisa Fleetwood, author of Destination Dachshund, wrote a blog entry about letting authors know you love them. In the entry she says that little old me inspired her to write it because I have been posting tweets about loving people in our industry.

I have to say that I was delighted to be the inspiration behind a blog post. It seriously gave me the tingles. So I felt that it was only fair to let people know who inspired me to write countless tweets shouting out Australian authors. It was none other than the ever charismatic Walter Mason.

Walter Mason is an institution in the Sydney writer scene. He not only wrote Destination Saigon and Destination Cambodia but also runs the Universal Heart Book Club and provides inspirational workshops and talks regularly all across Sydney. I was fortunate to meet Walter through another writing mentoring legend, Jan Cornall.

I undertook my first ever writing course with Jan Cornall. It was called Write Your Novel on the Weekends and it was run through WEA. It was fantastic. I learned so much about writing a book as opposed to writing a story for creative writing that I still refer back to my notes regularly. In that two day workshop Jan said to me that she felt that Walter Mason would be a good person for me to chat with. It seemed like an odd choice on the surface as I was writing children’s sci-fi and he had published a travel memoir but I endeavored to follow her guidance because she had been so spot on with everything else.

So a few months later when I saw Walter speaking on a panel at a Emerging Writers Festival Roadshow I timidly went up to introduce myself. I have social anxiety that I generally mask pretty well but introducing myself to an author I had never met was so intimidating that I must confess that I was literally shaking. He immediately made me feel at ease and has been so generous with his time and advice ever since this first meeting that I have become one of his biggest fans, not just of his writing, which is wonderful, and not just of his workshops, which I would recommend to anyone because they never fail to inspire, but of him the person.

It was at another Emerging Writers Festival Roadshow that Walter gave me the inspiration to give Australian authors a shout out, loudly and often. He said to the audience, “bring the spirit of fandom to Australian literature.” This resonated with me powerful. I’m a massive geek, I even run a page on Facebook called GEEK so I know fandom and fandomania. This was something that I knew I could do and it fit in with my personality well.

You see, I’m the kind of person who loves to rave about things that I love. If I love a show, or a movie, or a book I want to tell people about it. I even do this with my reviewing style. I only do reviews of 3 stars and over. If I didn’t like a book I don’t really feel like talking about it. If I like a book I want to tell EVERYONE about it. So bringing the spirit of fandom to Australian literature was something I could do. So I’ve written blog entries, I regularly give shout outs on twitter and I’ve even made pictures all because Walter Mason inspired me.

So I’d like to pass on the challenge to everyone else reading this, bring the spirit of fandom to Australian literature. Write a review, recommend an author to a friend, buy a book, follow an author on twitter, make some fan art. Just do something.

What will you do today to bring the spirit of fandom to Australian literature today?

Edit: I’ve started using #auslitlove on my tweets that are about loving Australian authors so that I can keep track of who I’m loving and make sure I spread the love around far and wide.

Book Review: Take me to Paradise by @_WritersJourney #AWW2015

Here we go. Review number 2 for the Australian Women Writers Challenge. Today I am tackling Jan Cornall, not only a writer but an institution in this country. She sings, she performs, she teaches, she is a mentor to many an artistic soul. Australian artists salute Jan Cornall, so let’s take a look inside her first published novel.

Take me to Paradise follows the journey of Marilyn, both her physical and emotional Journey. Marilyn wakes up one morning and instead of catching the bus to work, catches the ‘I don’t like Mondays’ flight to Bali. It is a poignant journey of self-discovery and self-recovery. A woman getting out of her element and in doing so she can strips away the trappings of her life and discovers what is truly her and versus what is a construction of her. It has many nods to metaphysical thought but also has that feeling of rebellion of like expressed in feminist movies like Thelma and Louise. I think this book would resonate with anyone who has had an existential crisis, midlife crisis, or went through those awkward teenage years, because all of these times are  a deeply perplexing and painfully personal experience. The novella has a beautifully rich setting, with sights, smells, and sounds blasting at you. You feel as if you are immersed in this world. The tropic jungle descriptions in particular are quite powerful and make you want to travel. Take Me to Paradise shows how different the paradise dream can be: for a western woman, for a Balinese man, for a Balinese wife, and the many characters Marilyn meets.

Kids and YA Literature Festival: #NSWWC

Firstly a big thank you to Aleesah Darlison who was the Kids and YA Literature Festival director at the event I attended yesterday at the New South Wales Writers’ Centre. As always I took away many new ideas and lessons.

1) Children and YA authors all together in one place looks awfully similar to an episode of “Primary Teachers Gone Wild.”

2) I’m pretty sure if they had a cut and paste session we would have all been in. Just the vibe I got from my fellow writers from our reactions to the Keynote Speaker. Boori Monty Pryor deals with primary aged children all the time so has an animated and interactive style. He was having us hug ourselves,  raise our hands and roll around on the ground with laughter (ROFLing as the hip cats call it). It was brilliant and everybody was involved. Hence if he’d decided to do the painting activities he does with his kids with us I’m pretty sure I wouldn’t have been the only one cleaning glitter out of every nook and cranny for the next month.

3) Famous writers are really, really,  really, super nice. Pamela Freeman even greeted me with a hug. (Not to name drop shameless name drop ahead I have now received hugs from not only  Pamela Freeman, but also Kate Forsyth, Jan Cornall and Walter Mason. Emily Maguire I’m coming for you next!)

4) Editors are really nice too! No really,  they are. I know that sounds weird because we’re all fairly convinced that they’re all angry, old, hermits that live in caves, away from the light, snacking on bitter pills and drinking the blood of wannabe writers just so they can wee it into their chamber pots and toss it on the dying embers of our failed manuscripts… over share? But they are nice. Zoe Walton is always so kind and so organised at every festival I have seen her at and Nicola Robinson was nice enough to shake my hand and give me a warm smile. Not one editor asked us aspiring writers to line up and bend over so that they could kick us in the pants. I kid you not.

5) Once you’re a teacher you’re always a teacher. Jacqueline Harvey uses her whiteboard to plan stories. You have done us proud Ms Harvey and we salute you. Whiteboard Marker Pride!!!

6) I want to be Catherine Jinks’ BFF. Should she ever be in the market for one I’m ready. She was so funny and so enthusiastic and so real that I think everybody hung on every word she said.

7) Burritos are a bad idea when you’re wearing pale colours. I got sauced. Bring back the rice paper rolls I say. At least when I spilled them all over myself there was very little evidence. Sure I should learn to eat with some dignity but I’m 34 and still haven’t acquired that skill.

8) I’m weird! When my name didn’t get pulled out of the “hat” for the pitch contestant I was a tad despondent not relieved. Although thoroughly pleased that my brother’s best friend from year 8 the extraordinarily talented and beautiful Ms Alison Whipp, won the contest. Novacastrian pride. I admired her so much as a kid (she’s seven years older than me so seemed so sophisticated and full of grace) so it was lovely to get the chance to do so again.

Now I shall leave you with a few memorable quotes from the festival:

“I wanted to read about heroes and heroines that looked like me.” Wai Chim

“I didn’t want to feel ashamed of who I was.” Sarah Ayoub

“Eat the story, drink the story, paint the story, dance the story, write the story.” Boori Monty Pryor

“Film is very tightly structured, for me, novels are a much more philosophical pursuit.” Isobelle Carmody

“If you were good at selling yourself you wouldn’t be a God damn writer. You’d be an actor or something.” Catherine Jinks

“Writing in Hollywood is like writing with a committee.” Wendy Orr

“I believe in loyalty.” Jacqueline Harvey

“Write a cover letter that shows you believe in your story so that the publisher will too.” Rochelle Manners

“Write a ripper of a story.” Felicity Pullman

And now I’m spent.