Tag Archives: Hillbilly Elegy

ABC Book Club, Season 11, Episode 1: #bookclubABC

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Image stolen from Marieke Hardy’s twitter account.

It’s back. Life can resume again as Book Club is here. JByrne is of course sleeveless because she hasn’t been working those delts to keep them hidden by sleeves. Marieke is flawless. And Ace, oh my, sleeves rolled up to show off those exquisite forearms and he’s wearing stripey blue and yellow socks. Or is it green and yellow? #sockwatch The exact colour is an enigma just like Ace.

Before we get into the actual show let me take care of a few housekeeping issues:

1) I’m dyslexic, there will be spellos, grammos, typos, and just plain wrongos.

2) JByrne = Jennifer Byrne

Ace = Jason Stegersaurussex

Marieke = jamiest bit of jam.

3) I am unsponsored but if anyone wants to bribe me I love wine and notebooks… and money. Money is my favourite. 

Now onto the show. Joining the heavenly regular panelists are Michael ‘the dagger’ Robotham (known as Robo-Tham from previous episodes) and Clementine Ford. I am wet your pants excited about the Fordinator being on. I hope there is plenty of talk of about uteruses.

The panelists get down to business and discuss books that have been released during their hiatus. Australian author Sarah Schmidt’s 
See what I have Done
 gets a shout out. I’m excited because I’m reading that at the moment. 

And of course they pay tribute to the brilliant Heather Rose who has taken out the Stella Prize this year with The Museum of Modern Love. Rose remembers vividly once getting a royalty cheque that was for less than the envelope would have cost. Thankfully she is getting the recognition she deserves now and more royalties. Big congrats to an outstanding Australian woman writer.

Onto the bones of the show. JByrne says that they’re looking at Sydney author, Kathryn Heyman’s, newest offering, Storm and Grace. JByrne says that it has been touted as the literary thriller of the year. That’s a big call seeing how it’s only April, but then again, she’s an author capable of making a big call. Let’s see if the panelists agree.

They do the dramatic recreation thingo. It looks like a romance movie or teenage coming of age movie. One where the lead female’s ultimate coming of age involves getting boinked. I’m not getting the thriller vibe from this footage. I might be getting slightly hard in the bra region but definitely not suspenseful.

Robo-Tham liked it. He found the book claustrophobic and uncomfortable. That’s exactly the feeling he wanted to get. He respects the level of research that she must have done to get the sensation of deep sea diving just right. Heyman’s research included free diving and deep sea diving. She definitely went all out.

Ace says it’s not a thriller because there is little suspense over the major crime. But he quite liked it. He says it’s a book about an “unusual” relationship and a very odd man. Marieke corrects him and says, “abusive relationship.” Preach. Let’s stop using euphemisms for family violence. They’re not “robust relationships.” They’re abusive. They’re criminal. Let’s not sweep it under the metaphorical rug with niceties.

JByrne was sucked in by the sexyness. Oh myyyyy. It’s a repeat of episode one of season ten where JByrne yearned for Heathcliff’s inky eyes. JByrne we need to talk. Let’s do coffee and Aunty Robin will tell you all about love and life. You’re not simply getting warm in the underpants region over literary bad boys, you’re getting excited for literary wife beaters. 

The knife comes out, Marieke says it’s a year 9 romance and the names of the characters, particularly Storm, are lame. She slams it as badly written and badly structured. So harsh. I think my mouth will never shut again because it is hanging open in shock. Brutal. All I can say is, brutal.

Marieke goes on to explain that her savagery comes from a place of crossness not because she’s a disparaging biatch. She lets us know that she ia quite nice and doesn’t actually enjoy saying awful things about books but she’s cross. She’s super cross because domestic violence is such an important issue and it needs to be explored but she thinks this did it badly. Maybe she wanted something more like Zoe Morrison’s Music and Freedom? I don’t know, but she is not happy. Not happy at all.

She says that Storm is a sleazy creep from the start so why did Grace ever fall for him? She says the seduction and Grace’s vulnerabilities needed to be clearer so that people understood why women get involved with these guys. For Marieke it was a creep from the start becomes a killer and that’s no surprise and wasn’t thriller worthy. 

JByrne is just about crying at this point. Why doesn’t Marieke understand that Storm is sexy? JByrne is all about the sexy. She’s possibly going to overtake Ace in the sexy loving stakes. 

The Fordinator speaks. She wanted the desire to be clearer. She felt that it wasn’t clear why Grace would fall for creepy, controlling Storm. JByrne is looking at her in despair. I can tell she’s thinking, “but he’s fucking hot!” But the Fordinator quite liked the Greek Chorus as a literary technique. JByrne says the Greek Chorus is why it is a literary thriller because Thrillers generally don’t have literary techniques.

I throw my glass of Brown Brothers Moscato at the television. It doesn’t make it. I simply makes a mess of my carpet. I love you JByrne, you are the sun and the moon, but you are wrong, oh so very wrong. Plenty of Thrillers use literary devices. Plenty! I could go on and and give a detailed list (OH, HOW DO I WANT TO GO ON AND GIVE A DETAILED DISSERTATION ON THIS) but I’m supposed to be writing a recap right now, but just know, I’m quietly seething… and sucking at my carpet.

Robo-Tham bravely steps up and explains to Marieke and Clementine the attraction women feel for Storm. He likens it to Trump. People voted for Trump because he talks big. They got sucked in by his confidence and big talk. You know how us ladies love big talk, orange skin, and extreme comb-overs. Amirightoramiright? Ooooo Trumpy, you so sexy. No. 

The Fordinator asks why do all the women have the same attraction. It’s almost as if she thinks us sheilas are diverse. Pfffft. Come on CFord, you know us ladeez are only after one thing.

Now onto discussing what the literary trends for 2017 will be:

  • Progressing from titled with GIRL in the title to WOMEN… Fuck. My book coming out the year is Henrietta Dodgson’s Asylum for Damaged Women. I’m falling into a stereotype before it’s even set. Shit!
  • Australian Domestic Noir, will be big. Phew. I’m not a complete stereotype. My November release is set in Callan Park Hospital for the Insane in 1906. So it’s Australian, and it’s dark, but it’s not exactly domestic. 
  • Angry lady books will be big… Shit. 
  • Spec Fic with a literary bent will be in. SHITSHITSHITSHIT! Another glass of wine goes at the TV, hits the floor again.  Henrietta Dodgson’s Asylum for Damaged Women is Historical Fantasy. I basically take fairy tale princesses and lock them up in Callan Park Hospital for the Insane in 1906. I’m a great big future trends whore instead of a maverick self publisher. I’m not a special snowflake.

    JByrne picks up Michael Sala’s newest book as an example of a book to look out for. I’m cheering at the TV. I used to teach with him. Go buy his book. Yay. Go Michael, go.

    The Fordinator admits that it’s a good time to be a feminist writer. Maintain the rage, sister, bring out Fight Like a Woman.

    Robo-Tham wants less celebrities writing, long pause, children’s books. What was the long pause? I read into everything he does because he’s a Crime writer. Is the pause because you mean not just children’s books but all books, or is it because you want to emphasise Children’s Books but they can run wild on adult? Tell me Robo-Tham, tell me!!! It probably means nothing and he just had to breathe.

    Which leads us to By the Bed. The segment where the panelists say what books are by the bed and I waft into a fantasy world of lying next to Ace’s bed.

    Robo-Tham is reading Rebus novels.

    Marieke throws a curve ball. She hasn’t been reading in bed but reading drunk in the bathtub. New fantasies are emerging. She’s been loving The Last Picture Show.

    JByrne has been reading Storyland.

    Ace has been reading 
    Crimson Lake by Candice Fox Small excited wee for Sydney crime writer Candice Fox. I adore her. More Candice, more L.A. Larkin, more Tania Chandler, more Emma Viskic, more Cass Moriarty, MORE SISTERS IN CRIME. 

    The Fordinator is reading 
    Circle of Friends. She says it’s like a hug. Awwww.

    And now for 
    Hillbilly Elegy by J.D Vance. Will Marieke go full savage on this one as well?

    JByrne does the intro, it’s a memoir but was billed as the inside story of Trump’s people. However the author said its purpose was to start a conversation not to be the ultimate explanation and lesson.

    Robo-Tham loved it. He kept nudging his wife in bed to read her quotes. She told him she had a headache. We’ve all been there.

    Ace said it reminded him of Jimmy Barnes’s memoir. A man who pulled himself up from poverty and an awful life to achieve greatness. And how they both nearly didn’t make it out of their horrific circumstances alive. 

    Marieke charges into this love fest and calls it a flat telling of an interesting story. She is having none of anyone’s shit today. She said it skimmed through interesting stuff that should have been fleshed out. Ace said he loved the skimming. They stare at each other across JByrne. Horns locked. I await JByrne saying something about sexyness. It does not happen.

    The Fordinator starts to say how she felt that the author was an intelligent guy and that the author should have moved passed the “America is the greatest country” rhetoric and actually given the idea some critical thought. He as a white man could pull himself out of despair. It was hard but would it not be even harder for others that aren’t CIS white men?

    Robo-Tham leaps into the thick of things. He talks more about the problems faced by America and white people in poverty and how beautifully J.D. Vance covered it by showing the good and the bad.

    Fordinator is back and asks why is it suddenly now that people care about poverty. Why is it that black and Hispanic people being in poverty is looked away from in disgust but now that it’s a white problem people are fascinated? Marieke and the Fordinator state that the author fails to recognise his own privilege as a white man. And again raise the issue that he never critiques the trite “America is the greatest country” without thinking about if it actually is or not.

    Robo-Tham tells Ford she wanted the author to “attack” his own country where as he could accept that Vance was still backing his own country. Did she want it critiqued or attacked? There’s a difference.

    In the end, the two white male panelists loved Hillbilly Elegy, and one out of the three white female panelists likewise loved it. Yep, that’s enough to get it voted in.

    JByrne concludes by letting us know that Omar and CS are back next week. Hooray, we loved them last year. They’re discussing Exit West and The Monkey’s Mask. And we are treated to a clip of Roald Dahl saying WRITE DOWN YOUR IDEAS!!! Because like dreams, you’ll forget them.

    Watch this episode on iView here.

    Read last year’s season highlights here.

    Buy my shit here.

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