#Indigenous Representation in Speculative Fiction

There is a lack of Indigenous Representation in the type of literature that kids like to read. This is something I initially posted about on my personal Facebook profile rather than on this blog because I was concerned about being torn apart like so many people trying to tackle this incredibly sensitive issue before me. I’m white, I’m female, I’m educated and these days I’m middle class, so what do I know about these issues? True. I am utterly unqualified. I am not an Indigenous Australian, I have not lived an Indigenous existence and I do not live in an Indigenous community. I cannot deny that, nor am I trying too. But I have decided that this issue is too important for me not to say something. So even if I get called ignorant or superficial at least people will be thinking about it. And hopefully those thoughts will help come up with a solution. So here is my Facebook post cut and pasted directly here.

Alright people. I’m doing it. I’m going political… or cultural. I’m going something controversial, not sure of the label but it definitely would have one.

Let’s talk about the lack of representation of Indigenous Australian characters and stories in Australian Literature and “white man’s” (self included) fear of portraying them.

I think we can all agree that there is a lack of Indigenous representation across all genres. Sure there is some literary and memoir style Australian fiction out there looking at settlement/invasion/colonisation, but let’s be honest, how many children sit about thinking, “Gee, I’d love to read some literary historical piece that can be very heavy handed and judgemental.” Not many. They’re thinking things like, “Harry Potter is awesome, Twilight is tots romantic, Hunger Games is the bomb yo.” So if we want our youth (black, white, green, purple, sparkling) engaging with Indigenous issues/characters/themes, then surely we need to but it into novels that they’ll actually want to read.

Now the three novels that I’ve mentioned above that have taken youth by storm are all Speculative Fiction, which to me means Australian writers need to put Indigenous content into this genre. But how can we when we’re too scared too. Yep, there I said it, I admit it, I’m too scared too and I’m not the only ones. Now I’m sure Indigenous authors aren’t too scared to. That they feel totally comfortable writing about their own heritage but there’s a slight problem with that. The problem isn’t only that we have an education gap making literacy levels low amongst indigenous populations low, hence writing a whole novel and going through the long journey to get published quite challenging. But also that even in an ideal world where this gap is bridged, the Indigenous population only accounts for around 3% of the Australian population. And let’s face it, not everybody is born to be a writer, so we’re looking at a very small drawing pool. On top of that not everybody has exactly the same taste is books. Even amongst Speculative Fiction fans you have those that both love and hate Tolkien. So to expect this small drawing pool to produce works of mass appeal is just ridiculous. Sure it only take one, like JK Rowling to come along and inspire a generation, but we cannot expect every writer in the Indigenous community to be the next Rowling anymore than we can expect it of any other community. Not only that, not every writer wants to write for children or young adult. The pool gets smaller yet.

So, how do we fix it? Forced breeding to increase the population? Let the petrified white writer have access to the stories as well? Do nothing but whinge? Do what we do now (self included), have Indigenous minor characters but avoid drawing on the Dreaming or any settings or major characters? I honestly don’t know how this issue can be fixed. I could rather glibly say that stories should be available to everyone. That Celtic and European folktales, myths, legends, history and religion seem to be open slather for anyone to appropriate, so why can’t writers of any culture just draw on anything and anywhere to serve their story. But I can tell you this, I love the stories from Hinduism but I’m sure not going to write about that either. Because not only am I scared that this Celt would unintentionally offend someone but also because I know I would get crucified for it. White writers who tackle other cultures, even previously popular writers, have a history of being torn apart. I, an unpublished, very pale skinned, blue eyed, woman of Scottish and Welsh heritage, am surely not the one to fly in the face of this history and solve all problems. So for my part, I’ll continue to have Indigenous minor characters and refer to Indigenous plants but who will do more? Who can bridge this gap and solve this lack of representation? Thoughts?

I would normally blog about something this lengthy (and yes I know I’ve barely scratched the surface of this incredibly complex and sensitive issue) but quite frankly I have no desire to be called a stupid racist by complete strangers… I’ll leave that to my friends 😉

This rant was inspired by something #KateForsyth said at the Monsters Under the Bed discussion hosted at the New South Wales Writer’s Centre #nswwc about the need to increase the representation of Indigenous stories and the complexities involved in this.

Dream Builders- the gifts of speculative fiction writers to emerging writers

Fantasy readers have long been familiar with Tolkien’s three gifts of reading Fantasy, eRcovery, Escape and Consolation, but what I have come to discover is that these are not the only gifts of Fantasy. Not only are there three gifts for the readers, but there are also three gifts for the fellow writer. I call these gifts Embracement, Academia, and Dream Building.

Embracement
Many a budding Speculative Fiction writer has endured the slings and arrows of outrageous prejudice because they apparently write just silliness. They write about trivial things like believing in the good in people, how hope shall prevail, these are apparently things that don’t mean anything to anyone… Obviously they should be writing about relevant things like sexually ambiguous, serial killers, who love porn, inject heroine into their eyeballs, are charismatically alluring and yet are still the best darned kindergarten teacher around. That’s what real writers write about, real life. Not minority groups like Hobbits showing that they too are of value, that they too can be great. That’s just babyish nonsense. Brethren (I hope you don’t mind me calling you that), if you think that writing about hope and triumphing over obstacles is something that you’d actually like to do, then boy is Speculative Fiction the community for you. They’ll love you for your dedication to fairy tales, they’ll adore your deliberations over exactly what colour a skink that lives in a Mars like environment would be, they’ll accept that monkeys can talk and fly and wield magic and that’s important. What’s more, it isn’t just your fellow fledging writers who will encourage you, those published demi gods will actually come down from on high and actively encourage you. They’ll even remember you. So if you don’t necessarily want to become a starving artist, unappreciated in your time, living in a mental institution, slowly sipping contraband absinth, these people will accept that. Heck they’ll accept it if you do. That’s what is so great about Speculative Fiction writers. They believe in people and they welcome people.

Academia
Yeah, I know, ironic right? Don’t Speculative Fiction Writers just make it all up? Aren’t they writing Speculative Fiction because they aren’t smart enough or disciplined enough to write about and understand real life? No and No. Sitting down with a Speculative Fiction writer is like have a living encyclopaedia in front of you. If you are lucky enough to hear Ian Irvine speak, he’ll cover a range of topics, from the environment, to the history of Speculative Fiction in Australia, to the reasons behind the collapse of Boarders, and then go onto let you know the best way to escape from family BBQ’s in order to get some writing done. Even John Flanagan, who is notorious for claiming he just makes stuff up, can provide you with an eight page dossier on the discovery and usage of coffee in his world. And quite frankly, what Kate Forsyth doesn’t know about pee isn’t worth knowing. It is staggering the vast array of expertise these people have, you cannot help but be inspired to research and write just from listening to them for half an hour. They’re the human equivalent of art galleries and I love to soak them up and you will too.

Dream Building
This is their final, and I believe greatest gift. Speculative Fiction writers are dream builders, not dream killers. They understand that you have a story and that you would love for people to read it. They don’t treat the dream of being published like a dirty thing. Something that you should never dream of. That you should only write for the sake of writing and forsake all other dreams. I think it is because of the nature of Speculative Fiction, they often write about good triumphing, and that deep down people are good, that they tend to be more accepting of dreams and motivations. They tend to skip the thought that people only wanting to write to get published, they cast aside the notion that there are people out there who deeply despise writing and are only doing it to get rich and or famous. These people say, what’s your dream? Work hard, and go for it. Dreams can come true and if you work for it, yours can too. They are willing to encourage you to be the best you that you can be. They accept you, they embrace you, they encourage you to research and work hard, but they also encourage you to dream. And dreams are what fiction is made of.