Let Me Love You!

Recently Lisa Fleetwood, author of Destination Dachshund, wrote a blog entry about letting authors know you love them. In the entry she says that little old me inspired her to write it because I have been posting tweets about loving people in our industry.

I have to say that I was delighted to be the inspiration behind a blog post. It seriously gave me the tingles. So I felt that it was only fair to let people know who inspired me to write countless tweets shouting out Australian authors. It was none other than the ever charismatic Walter Mason.

Walter Mason is an institution in the Sydney writer scene. He not only wrote Destination Saigon and Destination Cambodia but also runs the Universal Heart Book Club and provides inspirational workshops and talks regularly all across Sydney. I was fortunate to meet Walter through another writing mentoring legend, Jan Cornall.

I undertook my first ever writing course with Jan Cornall. It was called Write Your Novel on the Weekends and it was run through WEA. It was fantastic. I learned so much about writing a book as opposed to writing a story for creative writing that I still refer back to my notes regularly. In that two day workshop Jan said to me that she felt that Walter Mason would be a good person for me to chat with. It seemed like an odd choice on the surface as I was writing children’s sci-fi and he had published a travel memoir but I endeavored to follow her guidance because she had been so spot on with everything else.

So a few months later when I saw Walter speaking on a panel at a Emerging Writers Festival Roadshow I timidly went up to introduce myself. I have social anxiety that I generally mask pretty well but introducing myself to an author I had never met was so intimidating that I must confess that I was literally shaking. He immediately made me feel at ease and has been so generous with his time and advice ever since this first meeting that I have become one of his biggest fans, not just of his writing, which is wonderful, and not just of his workshops, which I would recommend to anyone because they never fail to inspire, but of him the person.

It was at another Emerging Writers Festival Roadshow that Walter gave me the inspiration to give Australian authors a shout out, loudly and often. He said to the audience, “bring the spirit of fandom to Australian literature.” This resonated with me powerful. I’m a massive geek, I even run a page on Facebook called GEEK so I know fandom and fandomania. This was something that I knew I could do and it fit in with my personality well.

You see, I’m the kind of person who loves to rave about things that I love. If I love a show, or a movie, or a book I want to tell people about it. I even do this with my reviewing style. I only do reviews of 3 stars and over. If I didn’t like a book I don’t really feel like talking about it. If I like a book I want to tell EVERYONE about it. So bringing the spirit of fandom to Australian literature was something I could do. So I’ve written blog entries, I regularly give shout outs on twitter and I’ve even made pictures all because Walter Mason inspired me.

So I’d like to pass on the challenge to everyone else reading this, bring the spirit of fandom to Australian literature. Write a review, recommend an author to a friend, buy a book, follow an author on twitter, make some fan art. Just do something.

What will you do today to bring the spirit of fandom to Australian literature today?

Edit: I’ve started using #auslitlove on my tweets that are about loving Australian authors so that I can keep track of who I’m loving and make sure I spread the love around far and wide.

#Indigenous Representation in Speculative Fiction

There is a lack of Indigenous Representation in the type of literature that kids like to read. This is something I initially posted about on my personal Facebook profile rather than on this blog because I was concerned about being torn apart like so many people trying to tackle this incredibly sensitive issue before me. I’m white, I’m female, I’m educated and these days I’m middle class, so what do I know about these issues? True. I am utterly unqualified. I am not an Indigenous Australian, I have not lived an Indigenous existence and I do not live in an Indigenous community. I cannot deny that, nor am I trying too. But I have decided that this issue is too important for me not to say something. So even if I get called ignorant or superficial at least people will be thinking about it. And hopefully those thoughts will help come up with a solution. So here is my Facebook post cut and pasted directly here.

Alright people. I’m doing it. I’m going political… or cultural. I’m going something controversial, not sure of the label but it definitely would have one.

Let’s talk about the lack of representation of Indigenous Australian characters and stories in Australian Literature and “white man’s” (self included) fear of portraying them.

I think we can all agree that there is a lack of Indigenous representation across all genres. Sure there is some literary and memoir style Australian fiction out there looking at settlement/invasion/colonisation, but let’s be honest, how many children sit about thinking, “Gee, I’d love to read some literary historical piece that can be very heavy handed and judgemental.” Not many. They’re thinking things like, “Harry Potter is awesome, Twilight is tots romantic, Hunger Games is the bomb yo.” So if we want our youth (black, white, green, purple, sparkling) engaging with Indigenous issues/characters/themes, then surely we need to but it into novels that they’ll actually want to read.

Now the three novels that I’ve mentioned above that have taken youth by storm are all Speculative Fiction, which to me means Australian writers need to put Indigenous content into this genre. But how can we when we’re too scared too. Yep, there I said it, I admit it, I’m too scared too and I’m not the only ones. Now I’m sure Indigenous authors aren’t too scared to. That they feel totally comfortable writing about their own heritage but there’s a slight problem with that. The problem isn’t only that we have an education gap making literacy levels low amongst indigenous populations low, hence writing a whole novel and going through the long journey to get published quite challenging. But also that even in an ideal world where this gap is bridged, the Indigenous population only accounts for around 3% of the Australian population. And let’s face it, not everybody is born to be a writer, so we’re looking at a very small drawing pool. On top of that not everybody has exactly the same taste is books. Even amongst Speculative Fiction fans you have those that both love and hate Tolkien. So to expect this small drawing pool to produce works of mass appeal is just ridiculous. Sure it only take one, like JK Rowling to come along and inspire a generation, but we cannot expect every writer in the Indigenous community to be the next Rowling anymore than we can expect it of any other community. Not only that, not every writer wants to write for children or young adult. The pool gets smaller yet.

So, how do we fix it? Forced breeding to increase the population? Let the petrified white writer have access to the stories as well? Do nothing but whinge? Do what we do now (self included), have Indigenous minor characters but avoid drawing on the Dreaming or any settings or major characters? I honestly don’t know how this issue can be fixed. I could rather glibly say that stories should be available to everyone. That Celtic and European folktales, myths, legends, history and religion seem to be open slather for anyone to appropriate, so why can’t writers of any culture just draw on anything and anywhere to serve their story. But I can tell you this, I love the stories from Hinduism but I’m sure not going to write about that either. Because not only am I scared that this Celt would unintentionally offend someone but also because I know I would get crucified for it. White writers who tackle other cultures, even previously popular writers, have a history of being torn apart. I, an unpublished, very pale skinned, blue eyed, woman of Scottish and Welsh heritage, am surely not the one to fly in the face of this history and solve all problems. So for my part, I’ll continue to have Indigenous minor characters and refer to Indigenous plants but who will do more? Who can bridge this gap and solve this lack of representation? Thoughts?

I would normally blog about something this lengthy (and yes I know I’ve barely scratched the surface of this incredibly complex and sensitive issue) but quite frankly I have no desire to be called a stupid racist by complete strangers… I’ll leave that to my friends 😉

This rant was inspired by something #KateForsyth said at the Monsters Under the Bed discussion hosted at the New South Wales Writer’s Centre #nswwc about the need to increase the representation of Indigenous stories and the complexities involved in this.