Tag Archives: australian society of Authors

Garth Nix Workshop: @garthnix presents at @asauthors

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Yesterday I had the great privilege of attending a workshop run by speculative fiction juggernaut author Garth Nix through the Australian Society of Authors.  Garth Nix has been described as the James Bond of the speculative fiction author world. And for good reason. He’s  smooth, he’s witty, he is internationally successful  and, he knows his business in and out. Coupled with the fact that he rarely does workshops he truly has a reputation for being an international man of mystery.  I jumped at the chance to go, because quite frankly I’d book in to see him read the yellow pages, it’s Garth Nix. However, the question lingers, is he reclusive because he can’t teach or simply because he is so incredibly busy writing, drinking expensive spirits and fighting crime. I can now confidently tell you that it is most certainly the latter.

Garth Nix did something very rare in his workshop, he addressed the ‘Art’ of writing and gave very specific business advice. In my experience workshops tend to focus on the ‘Craft’ of writing and gloss over the other two, whereas Garth Nix divided his time evenly between the three. I’m a bit of a workshop whore so thoroughly appreciated this unique approach. If you’re a bit of an over workshopped hag like me and occasionally suffer from itsallbecomingabitsamesameitis I would thoroughly recommend watching like a hawk for any Garth Nix courses that  come up. You will not be disappointed.

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Stop rambling and just tell me what he said. Okay, I’ll give away a few takeaways from the workshop but because what you take out of a writing course is purely personal the real benefit can only be truly attained by attending them. We are all on different writing  journeys so what inspires us, what we need to learn, what makes sense to us, is all different. So please keep that in mind. It all depends… but here’s a few thing that I learned.

Books are successful because they transfer emotions. You need to put emotions into your characters that in turn transfer into the readers. As such you need to fill up your emotional reservoir.

Write what you know does not mean write an autobiography. You know so much more than your actions. You are a sum total of everything you have read, seen, heard, felt and done. In short, you know so much more than you think you do.

Keep writing. If you finish a book write another story, if you put a book aside write another one. Just keep writing.

Don’t go too wild on your first novel. Learn the craft well before you start being too experimental. A tight focus with a straightforward structure works best for beginners. No need to reinvent the wheel just for the sake of it.

Don’t just rely on grammar to construct beautiful prose. Remember rhythm and euphony.

You need to decide if you’re writing for long or short term gain. Your approach to what and how you write will be different.

I shall leave my giveaways there, I hope to see you at the next course.

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Writer/ Publisher Interviews: or Literary Speed Dating as the cool kids call it

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As a high school English teacher I’m familiar with Parent/Teacher Interviews. I get to see the parents of the children I teach and find out why they’re so hilarious or why they’re so not hilarious. Often they’ll have the nervous teenager in tow giving you that look like, “Please don’t tell them I said my parents don’t care if I don’t do my homework because they do and they will kill me,” so I obligingly start with homework. It’s generally all very civilised and we have a few laughs and agree that their child is special and what we can do as a team to maximise their potential, ie homework. Well except for that time when the parent turned up drunk and fell off their chair and kept forgetting why they were there and persisted on asking me about their nephew who I didn’t teach instead of their son who I very much taught,  that was slightly less civilised and laughy. Although now years and schools later I am seeing the laughingness of the whole thing. However, this only prepared me in part for the Literary Speed Dating event hosted by the Australian Society of Authors and the New South Wales Writers’ Centre.  Mostly because the publishers were the teacher, I was the parent and my manuscript was the kid… and I was utterly petrified that I was going to hear that he hadn’t done his homework.

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Fortunately, as I am the queen of catstrophising, things did not go as badly as I’d imagined.* Now I was a little delirious from lack of sleep,**  so my word can’t be taken as gospel,*** but it all seemed really good to me. The organisation was excellent. I know from Parent/Teacher Interviews that things can quickly devolve into a chaotic quagmire with nobody hearing bells or moving on but with the very loud air horn going off every three minutes that just wasn’t an issue. Light bladder leakage may have been an issue as some of us never quite got used to the volume, but it certainly made things run smoothly. I salute you air horn. Lining up was a great chance to catch up with old friends from writing courses like Lisa and Helen who I met through Kate Forsyth courses, and new friends I’d met through twitter such as Meyrnah. And I cannot forget my fellow acolyte of Walter Mason,   Ms Ashley. Thanks to Ashley I am now obsessed with Armenia. My husband is very pleased because he loves discussing history and politics. The atmosphere was absolutely electric. Being around so many dedicated writers was really inspiring. Most people were happy to discuss their manuscripts and I can honestly say that there are a lot of very interesting concepts out there waiting to be published. And to top it all off the Publishing reps asked for my manuscripts so that was brilliant. I shall now have an accelerated heart rate for the next three months whilst I wait to hear back about my memoir, or my children’s novel. Worth it!

If you have a completed manuscript that you feel is ready for a professional eye I strongly recommend you book in early for next year. It sells out around 6 months in advance so make sure that you’re organised.

For great tips on how to handle the event read here:
http://illuminationsbylisafleetwood.wordpress.com/2014/11/17/literary-speed-dating/
https://highfantasyaddict.wordpress.com/2014/11/20/literary-speed-dating-sydney-nsw-writers-centre-2014-asa/ ****

The only thing I could possibly add is, don’t be afraid to discuss your manuscript with others. Discussing it will warm you up for pitching to the publishing representatives. Life is too short to be paranoid that everyone is going to steal your ideas. And heck, even if they are, back yourself, you’ve written it better and at the very least you’ve got a massive head start as yours is already finished. If someone is now out there madly attempting to write a memoir inspired by my time in a psychiatric hospital best of luck to them. Heck, if they want to write a tale of friendship for children, go ahead, there’s already plenty on the market and there will be plenty more because life is about relationships. Back yourself,  be confident, believe in yourself. If you can’t believe in your own writing how can you expect other people too? So book in early, be confident and pitch your heart out.

*I’d imagined being met with a long awkward pause followed by, “Don’t ever waste my time ever again.”

** Mummy still loves you, but kids… I’ve got an audio book narrated by Samuel L Jackson that you need to hear.

*** Or any biblical chapters for that matter.

**** Those entries managed to capture photos of a smoking hot red head… a red head… a bottle red head. It’s me ok!

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Literary Speed Dating: #ASA and #NSWWC

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Literary Speed Dating: #ASA and #NSWWC

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Like 49 other aspiring authors I managed to secure a ticket to Literary Speed Dating through the Australian Society of Authors and New South Wales Writers’ Centre that takes place this weekend. I am of course both excited, nervous and wetting my pants… I had twins in January who felt they’d like to engage at the same time and split my pelvis so the pants wetting might not be entirely date related. TMI? Or JTRAOI (just the right amount of information)? Getting back to the point of this blog entry, Literary Speed Dating?  Yes that was it, LSD as @AKalagianBlunt calls it.

I should probably explain what Literary Speed Dating means in this context lest you all think it refers to a group of nerdy, yet sexy, singles getting to know each other in three minute intervals,  then falling madly in love with your genre mate and making some erotic fiction together. It certainly isn’t that. I’m a married mum of three and I’m not the only monogamous individual going. @AlisonWhipp (winner of the Kids and YA Festival pitch contest early this year) will also be putting her mum jeans on and getting sassy. Literary Speed Dating in this setting refers to 9 lovely publishing reps and 1 equally lovely literary agent clawing their way out of their massive reading piles and allowing 50 aspiring authors to pitch their manuscripts to them in three minute sessions. For aspiring authors this is a big deal, we get three minutes of real face time with someone in the biz (bus?) which is a rare opportunity to get. All we had to do was be able to get a ticket (and have written something good enough that we believe it is publishable). I got my ticket in May and am pretty sure I only just managed to scrape in. Have I mentioned it’s a really good opportunity that everyone wants? Well it’s SOLD OUT in advance of 6 months good. So I can tell you that my fellow aspirings and I are packing shit. Even I, who know 4 of the 50 aspiring authors pitching (could be more, 4 have told me they are) and have the whole safety in numbers vibe going on, am ready to bite my own fingernails off. We’ve all been preparing for at least six months yet still feel desperately under prepared.

So how about I share the prep I’ve been doing and then you can share back what you are doing,  have done in similar circumstances, or what you would do if you were in a similar situation?

Firstly,  I’ve got three novels to a minimum of first draft stage so I have something to pitch. For me it’s my Memoir from the Madhouse*, a PND biopic of non epic proportions**, that you could say has been 35 years in the making. And also to the three children’s representatives attending, my jaunty little children’s fantasy Chloe Prime : Alien Space Vet which I’ve been editing for a couple of years now. Secondly, continuing to attend a lot of writing workshops, courses and festivals. Thirdly, reading, reading, reading. Memoir,  children’s fantasy, books on writing but also off genre, looking at how they build suspense,  engage the reader, and all that Jazz. Fourthly,  shamelessly imploring published authors I know for the secret of the perfect pitch. Unfortunately they all told me there is no secret formula (clearly a secret gatekeeping conspiracy) but did give me some excellent tips such as just be yourself, let your enthusiasm and knowledge show, and one fabulous published author instructed me not to be desperate, because they’re used to desperate authors hitting them up. To the latter I was all like, “WTF, desperation is literally the only thing I have going for me. I was reblogged by mamamia.com soley because I am a desperate mess, it’s my thing! I’m really not that long out of the nuthouse.” He mentioned that although that may be the case try playing it just a little bit cool, like a real date… Got it, pushup bra (oh yes I need one), red lippy (possibly a bad move as it accentuates my thin little lizard lips), and let them know they can see any of my wares without so much as a foreword and they can reorder my works into any position they like, I’m flexible and open to new ideas. He said that’s exactly what he meant and don’t forget to get incredibly drunk and cry a little. I’m quietly confident he was not joking, so I got this sucker nailed.

As for the other two pieces of advice that I got, I have come up with 7 questions,  no, not 6, 7, in order to help me achieve that non desperate pitch I’m searching for, should the drunken crying approach fail.

1. Sum up my book in 1-2 sentences in an informative yet exciting way?
2. What are the three main take aways from my book?
3. Why did I write this book?
4. Why did this book need to be written by me?
5. Why did this book need to be written now?
6. What other books is my book like, what is its competition?

All this culminates into the final question:

7. What can be said to make the commissioning editor excited about my book in 1 sentence?

So I have written up pages of research on these questions over the months, (well not 2 or 7 they need to be short) plus on the publishing houses and their titles, that all need to be distilled into one non desperate sentence. It can be done!

Good luck to everyone else pitching and myself. Let’s hope we take the literary world by storm.

* My Memoir of Appropriation is not my real memoir!!! It is just a lark.
**I deal with similar issues in my Confessions of a Mad Mooer entries such as:
https://riedstrap.wordpress.com/2014/05/07/confessions-of-a-mad-mooer-wabi-sabi-and-the-mona-lisas-smile/
https://riedstrap.wordpress.com/2014/05/05/confessions-of-a-mad-mooer-ive-just-had-an-oprah-moment/
BUT my memoir is first person present tense, so you get to see the disgusting thoughts of self loathing and hopelessness without any filter or reflection. You’re right in there with me.

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