Category Archives: literature

Writing Teachers I Love #SelfPubIsHere

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Last week for #SelfPubIsHere I spoke about editors that I love, people who make your manuscript glow. But what about before you have a manuscript? Are there people who can help you before you have finished, or before you have even started? The answer is quite simply yes, writing teachers exist. And fortunately we live in a time where there are more and more teachers available to learn from. I’m going to share with you some writing teachers that I love and where to find ones that you’ll love too. And if there’s one thing I know, it’s quality teaching. Not only did I teach for over a decade, including being Acting head of English, Drama coordinator, placed on secondment briefly to the body now absorbed by NESA amongst many other things, BUT I also studied directly with the creators of Quality Teaching and Productive Pedagogy. So trust me, I know teaching, and I say these people are awesome.

Toni Jordan is a truly incredible teacher. The three scenes that are consistently held up as excellent by critique partners of my WIP were all written during Toni Jordan’s Character and Dialogue course held at NSW Writers’ Centre. She is Melbourne based and has lectured at RMIT, presented extensively at The Wheeler Centre, tutors at Writers Victoria, and indeed lots of other places too. You can even get personalised mentoring from Toni through Australian Writers Mentoring Program. She has really strong opinions on structure and dialogue tags and is not afraid to state exactly what they are, which is very useful in a teacher. And although her opinions are strong she is never brutal; think of Toni as the epitome of firm but fair. Find Toni Jordan’s website here. Find her books here. Find Toni’s Robinpedia entry here.

I was lucky enough to do Pamela Freeman’s two day speculative fiction course a few years back. Since then, she has taken me under her wing and allowed me to ask her all sorts of inane questions. She is the kind of teacher who continues on thinking about her students long after the classroom door has closed and the lights have been shut off. She is very much the mother duck of the Australian writing teaching world, but with a truly wicked sense of humour. She has a PhD in writing, she knows her stuff, and she’s quite forward in telling people what she thinks. And you’re in luck, because Pamela is currently supercharging her Advanced Fiction Writing Course at AWC. She is a regular teacher at AWC who also have a mentoring program, teaches occasionally at NSW Writers’ Centre, pops into a couple of Sydney universities, and all around the place really. Find Pamela Freeman’s website here. Pamela gets bonus points for following along on the #SelfPubIsHere twitter storm. Find her books here, and her books as Pamela Hart here.

Kate Forsyth made me tear up my prologue, literally. She didn’t even read it, she just asked me a few questions, didn’t like the sound of my answers so told me to rip it up. Shocking, I know, but… she was absolutely right. Kate is able to get to the core of your writing very quickly and gives crisp advice that will improve your manuscript immeasurably. I don’t go anywhere without her plot arc worksheet. She is a regular teacher at AWC, also teaches at NSW Writers’ Centre, a few universities, and pretty much everywhere else including overseas. Find Kate Forsyth’s website here. Find Kate’s books here. (And I know she’d also love it if you could check out her cooking and books show, Word of Mouth TV.)

A woman that needs no introduction, Anita Heiss. She’s pretty much an icon in Australia. When I was volunteering at one of her panel events at the Sydney Writers’ Festival we had to form a separate line for her signings. She is a really practical teacher who urges writers to listen to their readership. She’s all about knowing what you write. Very thorough in her approach and her preparation is phenomenal. I was lucky enough to do a workshop with her at NSW Writers Centre but she teaches at a lot of other places too. Keep your eyes wide open to see her courses pop up and book quickly. Anita Heiss’s website can be found here. Find Anita’s books here.

Emily Maguire is a very quiet and serene teacher. She is never without an encouraging word for people and always listens to students thoroughly before responding. Emily also provides so many worksheets for you to take home so that you can continue to look back and relearn for years to come. She teaches the hugely popular Year of the Novel course at NSW Writers’ Centre and so you get to learn from Emily all year long. Find Emily Maguire’s website here. Find Emily’s books here.

One of the most exciting speakers I have ever seen is L.A. Larkin. She is very animated, very witty, and above all else, very clever. L.A Larkin mainly teaches in the UK but lucky for us the AWC recently snapped her up to teach crime writing so she’s not just swanning around British universities anymore, we can learn from her in Sydney. You can also find her speaking at a variety of other places, check L.A. Larkin’s website for details here. Find her books here or even here. Find L.A. Larkin’s Robinpedia entry here.

Jan Cornall is the first writing teacher that I ever had (aside from school) and she blew me away. She is a very calm person and has a soothing effect on the soul. Jan utilises short bursts of meditation in her teaching and, despite the fact that I am truly crap at meditating, it really works. She teaches at WEA, NSW Writers’ Centre, pretty much everywhere and runs her own draftbusters course in the Inner West that I cannot recommend highly enough. Find Jan Cornall’s website here. Find Jan’s books here.

I have long testified that Walter “the inconceivably incandescent” Mason is like viagra for the creative soul. This man simply oozes love and passion. To sit by him is to sit in the presence of inspiration. But he doesn’t just sit about being all inspirational, he also gives concrete tasks to do. He really is a spectacular speaker and I urge you to go see him whenever you can. He regularly teaches at WEA, Sydney Mechanics’ School of Arts, NSW Writers’ Centre, Ashfield Library, and pretty much everywhere you can think of. Find Walter Mason’s website here. Find Walter’s books here. Find Walter Mason’s Robinpedia entry here.

Alison Croggon would come close to being the queen of Australian literature. She’s a poet, a spec fic writer, an opera critic, and so much more. You want to know how to write an arts submission? She’ll teach you. You want to know how to write a proper poetry review? She’ll teach you. You want to know how to write a fantasy novel? She’ll teach you. And, like Toni, you can have Alison all to yourself through the Australian Writers Mentoring Program. Find Alison Croggon’s website here. Find Alison’s books here. Bonus, she’s a huge #SelfPubIsHere advocate.

I did a Garth Nix course through ASA waaaaayyyy back in 2014. I rarely see his name crop up on workshops so was eager to attend, I think it pretty much booked out on its first day of advertisement. First up, the food they provide for the ASA courses is fantastic, seriously, if you haven’t done a course there yet… well… do it! Secondly, I was really impressed with how Garth took a different tac than many other teachers. He was explicit on who to pitch to, he was explicit on filling up your creative bank. It was a very informative workshop. He said nice things about my WIP, and as I am a complete saddest I have subsequently changed it from being set in Germany to Australia, from first person to third person from present tense to past tense. Whyyyyy??? Imagine what I would have done with negative feedback or if he’d actually suggested any changes? Burned my laptop and thrown it from the Harbour Bridge? Find Garth Nix’s website here. Find Garth’s books here.

Cass Moriarty is from up above… in Queensland. She is a tireless supporter of writers and somehow manages to write novels, write reviews of ALL the books, teach and be a doting grandmother. I am in awe of this woman and have no idea how she does it all. Her motto is ‘I can adapt’ and she brings that to your manuscript. You can find her floating about up at Queensland Writers Centre where she does workshops and mentoring. Find Cass Moriarty’s website here. Find Cass’s books here. Find Cass Moriarty’s Robinpedia entry here.

Thriller, chiller, and teacher Tania Chandler has been writing and editing for years. Recently, we’ve been lucky enough to see her helm her own workshops. She brings a wealth of experience with her, and is a very dedicated teacher. If you get a chance to get to SPAN Community House Inc. book in for a course with Tania. Find Tania Chandler’s website here. Find her books here. Find Tania Chandler’s Robinpedia entry here.

Aleesah Darlison is here by very special request, my 6 year old daughter’s request to be precise. I have not had the pleasure of learning from Aleesah but my daughter has. Aleesah visited her school last year and my daughter assures me that Aleesah is the best teacher ever, and very qualified. My daughter tells me that Aleesah has written over 100,000 books, and writes 1000 a week, so I’m fairly confident she’ll teach you a lot about time management, and possibly how to create time vortexes. We actually owned quite a few of Aleesah’s books before she went to may daughter’s school so my daughter’s claims are way less exaggerated than you think. Aleesah is a powerhouse. My daughter rarely steers me wrong so in order to keep tabs on the clearly enchanting Aleesah Darlison find her website here. Find Aleesah’s books here. Find Aleesah’s Robinpedia entry here.

And no list could be complete without #SelfPubIsHere rockstar Ellie Marney who teaches both YA and self-publishing workshops.

You can find her slinking around Writers Victoria and plenty of other places too. Just keep those peepers peeled. Find Ellie Marney’s website here. Find Ellie’s books here.

This is a list of general writing teachers that I highly recommend, I will do a blog entry on self-publishing specific courses later on. Now of course there are other fab writing teachers out there and I can’t possibly go learn from every single one of them, so I’d like to hear about who you love. Especially those fab teachers such as Natasha Lester who I hear so much about from WA friends. Which writing teacher really boils your potato?

Find friendly writers organisations here. Just click on “8. What other organisations in Australia support writers?” These places have been created to help you grow. They can and will help you. They have an array of courses and resources.

See #SelfPubIsHere featured in Books+Publishing here.

Also in Australian Self-Publisher here.

Read about my #SelfPubIsHere Festival dream here.

Read the article that kicked #SelfPubIsHere off here.

Read about my experience of being a dyslexic writer here.
Also, cough-cough, find my book at Booktopia or anywhere.

P.S. HAPPY TOWEL DAY!

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Editors I Love #SelfPubIsHere

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One of the major factors influencing the rise of respectability in self-publishing has been thanks to professional editors turning freelance.* But how do you find a good one? How do you make sure you aren’t being charged by a charlatan who won’t really improve your book at all? Or worse, take your money and then never respond to you again (yes, this happened to me once). It’s hard, #SelfPubIsHere and we want to publish quality books, but without good editors we cannot do it. To help make your journey a little easier, I’m going to share 9 top quality editors with you. People who would have made this article sparkly and zingy if they had been hired to look at it, and will do just that for your books. [Note: My blog does not use an editor only my books do. Please read my about section to understand why. This blog entry is not a sample of any editor’s work.]

Cait Gordon is a writer and editor. The publishing industry was lucky enough to poach this editor from the world of technical writing where she had 20+ years experience copy editing and technical writing. Now she’s ours and we’re not giving her back, ever. She is not just thorough but kind. Find Cait here. And just in case I don’t say it enough, I love Cait.

Linda Funnell is one of Australia’s most loved editors. What she doesn’t know about Australian English doesn’t actually exist. Very professional and, I know this is a cliche that she’d suggest I cut, a pleasure to work with. Find Linda here. Linda also works alongside Jean Bedford at Newtown Review of Books, who I have found likewise amazing, but I can’t see if she offers professional editing services. You can find Jean here.

Nicola O’Shea came to me recommended by Anita Heiss. Anita Heiss. I’ll just let that sink in. I don’t need to say anything about my positive experiences working with Nicola because a God damn national treasure recommended her and if that isn’tgood enough then I don’t know what is. Find Nicola here.

Tania Chandler! What can I say, I love this woman. She’s an author, writing teacher, and editor. She tackles every job with professionalism and offers clean, professional service. Added bonus, she has a killer sense of humour. Find Tania here.

Georgina Ballentine is a person that embodies dedication. She is passionate about making sure your work is the best reflection of you that it can be. She’s not interested in changing your voice, she’s interested in making it sing. Find Georgina here.

Dionne Lister is a successful author, editor, and leading champion of #SelfPubIsHere. But most importantly, she loves grammar. She runs a Facebook group on grammar. She blogs about grammar. She dreams about grammar. Very thorough, very knowledgeable, very passionate. Find Dionne here.

Jessica Stewart is a gramazon, an Amazon of grammar. She’s here to deliver high kicks to wrong comma usage, chop excessive adverbs and unleash clean flowing sentences. Find Jessica here. Find Jessica’s Robinpedia entry here.

Hot Tree Editing is friendly, cost effective editing. They are thorough and experienced. Their services offer multiple sets of eyes to ensure nothing gets missed. Find Hot Tree here.

Chryse Wymer was the first professional editor I ever worked with and came to me recommended by Dionne Lister. She is an absolute grammar nerd and if she ever reads this blog entry would probably have to begin breathing into a brown paper bag in order to cope with the errors. She’s going to make sure you don’t use the same word to start every paragraph and she’s happy to look up archaic words just to make sure they’re being used correctly. And she has had an extensive education in Australian terms such as root, died in the arse, take the piss, thanks to yours truly. Find Chryse here.

So what are you waiting for? Go get out that manuscript you’ve had gathering dust and get it polished to publication.

See #SelfPubIsHere featured in Books+Publishing here.

Also in Australian Self-Publisher here and you can love them on FB here.

Find out more about #SelfPubIsHere here.

Read about my #SelfPubIsHere dreams here.

Read the article that kicked #SelfPubIsHere off here.

See more about #SelfPubIsHere here.

*Note: historically, many of the authors you love such as Beatrix Potter started out as self-published but later when e-publishing first picked up momentum there was a real push against it. Now with print on demand becoming more accessible the quality and respect is rising again.
Also, cough-cough, find my book at Booktopia or anywhere.

Let Me Proposition You… With a Self-Publishing Festival

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SELF-PUBLISHING AVENGERS ASSEMBLE! It is time to be seen. #SelfPubIsHere

I think self-publishing needs greater recognition from Australian Festivals and Awards. I think self-publishing deserves its very own day at one of the larger Australian writer festivals, or even it’s very own self-publishing festival. We have kids days and YA days at major festivals (check out the one at Sydney Writers’ Festival, it is AMAZING), why not a self-publishing day? It is absolutely booming at the moment with more and more people not only buying self-published books, but wanting to become self-published authors.

Publisher Weekly has reported that self-published ebooks represent 31% of ebooks on Amazon and this trend is increasing. Not only do they account for around a third of ebooks, they are also dominating sales. Self-published authors are surpassing traditionally published authors on Amazon in crime, speculative fiction and romance. They also have a big share of the market in all other genres. The big five traditional publishers only account for around 16% of ebooks on the Amazon bestseller list, all the rest are self or indi. And let’s face it, ebooks are big business now and are here to stay.

Many readers have no idea if the books they are reading are self-published or not. As publishing houses laid off inhouse editors and designers in favour of a freelance system, self-published authors were able to snap them up. As such, the self-publishing route is becoming increasingly popular and destigmatised not only amongst up and coming writers, but also those already traditionally published and seeking to take greater control of their work.

Despite this increase in popularity and quality many Australian literary festivals and awards have either ignored the self-publishing market or given it a one off panel. Often in Australia the panel discussion is merely about if self publishing is ruining the industry or not. ¯\_(ツ)_/¯ The interest in self-publishing however is growing and has moved far beyond festival goers wanting to hear a simple discussion on if self-publishing is good or evil. They want in. Publishing your own book can be hard work and getting it into people’s hands can be even harder. This is a process that the increasing number of readers wanting to turn into writers are curious about. And honestly, readers also want the opportunity to see these self-published authors in person to get their books signed.

A self-publishing festival or day would be unique from other festivals in that self-published authors have to have a hand in all areas of their book development. They need to be able to source or become their own publicist, designer, formatter, bookseller, etc. Literary festivals often focus on authors and publishing houses, a self-publishing event would highlight self-published authors along with editors, cover illustrators, designers, and publicists. It would bring the often hidden side of publishing to the forefront. The part that happens behind closed doors that writers and readers are increasingly curious about. The parts they are willing to pay to find out more about. And I don’t mean in just one genre, I mean across all of self-publishing rather than a genre specific festival. Romance has traditionally been quite accepting of self-publishing and has on many instances lead the way but it’s time for other organisations to step up.

Below I will outline some of the awesome feature a self-pub fest would provide readers and writers hungry for something new.

Unique Guests:

Writers-

Self-published writers are essentially split into three groups, those that started self-published and get picked up by a traditional publisher, traditionally published authors who have turned to self-publishing (some vow never to return to the trad-pub model, others happily flit back and forth enjoying the hybrid life), and those that have started as self-published and never looked back. Each of these groups bring unique insights and appeal to the curiosity of readers and fellow writers. We would hope to attract presenters from each of the group, with examples of the types of authors listed below.

Self-published authors picked up by traditional publishers include authors such as Matthew Reilly, CS Pacat, Bruce McCabe, and Mitchell Hogan. People want to know how these guys made the conversion. It’s the dream for many starting out. Self publish, get picked up, and then have a movie trilogy made, I’m looking at you E. L. James.

Authors who started out as traditionally published and have then experimented with self-publishing include people such KERI ARTHUR (I’m putting this in capitals and bold because I somehow missed Keri’s name and am editing it in!), Lisa Heidke, John Birmingham, Ellie Marney, Maria Lewis, Ciara Ballantyne, Kim Kelly, and Alison Croggon. Everyone wants to know why they broke ranks. What is so fantastic about self-publishing that it attracted them? How did they do it? Is it more profitable? What are the benefits? Hybrid or abandonment?

Australia has an incredible array of self-published authors that have started that way and remained true to the form. Melissa Pouliot had a cold case reopened because of her debut book. Heidi Farelly was picked up as a regular guest on A Current Affair to speak on finances on the strength of the popularity of her self-published ‘How to…’ books. Lisa Fleetwood became an Amazon bestseller with her debut travel memoir. I myself have been picked up by bookstores for my memoir about postnatal depression and my book is even being used by some postnatal depression support networks. Lola Lowe was listed as a “Must Read” by Cosmopolitan Magazine for her debut novel. A.B. Patterson, a former detective Sergeant, has won three awards for his debut crime fiction novel, and been short listed for two others. Dionne Lister is a speculative fiction author who is an outspoken advocate of self-publishing and has been short listed for three awards. Elizabeth Cummings has been invited all around the world to talk about her picture books, in particular The Disappearing Sister – an important book that deals with speaking to and helping siblings of children with anorexia. There are many more self-publishing success stories amongst the Australian public eager to share their story and people want to know how they did it and how they can replicate it.

Of course along with writers it’s time to make the previously invisible members of book creation visible, the people that people interested in self-publishing want to find and hire but are largely ignored by Australian festivals:

Book Artists and Designers

Formatters

PR People

Editors

Representatives from printers such as Ingram Sparks and Publicious.

Representatives from self-publishing consultancy services such as Critical Mass Consulting, Bookends Publishing, and The Author Whisperer.

Logistics:

We need a location or a festival to give us a venue for a day.

We need an organiser / convener that people respect.

We need a publicist, although, many self-published authors are their own publicist and do a damn fine job.

Volunteers, we need people pointing and smiling. Trust me, it helps a lot.

We need all the food.

We need a dynamic bookseller who loves us.

We need those guests that represent the full gamut of the self-publishing experience.

And, without question, we need all the wine and cheese.

And don’t just take my word for it, read Pauline Findlay’s thoughts here. She strongly advocates for more self-publishing recognition.

So, what do you think? Are you with me? Do we need this? Are we going to create the pressure to make this happen? (I did send a proposal to a friendly writers’ centre but 10 months later I still haven’t even heard crickets in response) Some big name literary festivals overseas are already making the space, can we make it happen here? I vote yes! Chat about making space for self-publishing on social media with Pauline Findlay and I using #SelfPubIsHere

Ellie Marney also thinks a #SelfPubIsHere Festival would be great, read about it here.

Find out what Lisa Fleetwood has to say about this here.

Find out what Rebecca Chaney thinks here.

Also, cough-cough, find my book at Booktopia or anywhere.

A Thank You to Jane Rawson and All the Authors Who Allow Me to Escape

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Things have been getting on top of me of late. You probably noticed from my last post that I’m spiralling down into a depressive state again. I’m exhausted and there doesn’t seem to be a break for me in sight. There doesn’t seem to be a Robin sized shape in my life at all. Yesterday morning I could do little more than cry and vomit. I was trapped inside my own head and couldn’t see the light of day.
But then I had an external mood boost and it has made all of the difference in the world. Yesterday I received an early copy of From The Wreck by Jane Rawson to review.

It is, quite simply, sublime. From the very first sentence the atmosphere is so thick that you could eat it with a spoon. I won’t comment any further on the book right now as that’s not the purpose of this blog entry, and I will definitely write a review closer to the release date in March. The reason I am writing this blog post is to affirm just how important good books are. Not just from an educational point of view. Not just from a place of social commentary. Not just to shine a light on horrendous issues. All those things are important but they can also provide a much needed escape.

As the great J. R. R. Tolkein said, “Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?” Unfortunately using literature for escapism is often derided as silly. It is as if some people think that you should be intensely feeling and consciously changing your life at all moments of the reading journey. You must feel miserable and outraged. You can’t just grab a book and float away somewhere else, you must be very much here, on Earth, in your own tightly-fitting shoes, and in your own burning skin. Literature like that certainly has its place but so do stories that let us become so utterly immersed in their world that we can switch off our brain from our own troubles from time to time and go somewhere else.
When you have a mental illness such as depression or anxiety, like I do, sometimes you just need to get out of the prison that is your own mind. Books provide a gaol-break. They are life saving, they are necessary, they are not simply trivial nonsense. So never be ashamed of reading to escape because it very well could save your life. And do keep an eye out in March for Jane Rawson’s From the Wreck. It is intensely gripping and has allowed me to escape from my head.

Be what you wanna be. Do what you wanna do. Read what you wanna read. Yeah!

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You know what I am tired of? The need for articles coming out in defense of Women’s Fiction, Speculative Fiction, Genre Fiction in general. Every day my newsfeed has multiple articles on this phenomenon, and sadly, they are still needed. For some reason people just cannot seem to get the point that we do not live in an English classroom where book titles are dictated by necessity so that knowledge and understanding can be tested in a standardized way that the government requires. In real life people can read and enjoy whatever they want… AND WHO THE HELL ARE YOU TO TELL THEM THAT THEY CANNOT!

Sorry guys, I know I went all caps there. It got scary, I was even a bit scared of my own emotions but this book shaming is really starting to get my goat. And if there is one thing regular followers of this blog know, it’s that I don’t like anyone looking at or touching my goat, let alone taking it. Don’t make me go all Liam Neeson on your arse over my goat. I have a terrible Irish accent and nobody will benefit from this scenario. Now let’s get back to the heavy stuff. You’ve had your levity break!

This morning a picture captioned “A call for respectful discussion of Fifty Shades of Grey – It is okay to and welcome to criticize a book. It is not okay to be a terrible person” was on my newsfeed. Yesterday an insightful article by Marian Keyes entitled, “Please can we stop saying ‘chick-lit'” caught my attention. For the former here’s what I have to say, love it or hate it, you have no right to dictate to someone what they enjoy reading. I love reading James Joyce. People often tell me I am a shameless wanker and that Joyce is likewise a wanker and hence we should just die in wankerhood together. It isn’t going to stop me loving James Joyce. His writing just really sits well with me. As does Julian Barnes. It doesn’t matter what you say, I will continue to love them, and read them and reread them. And although I quite happily debate the merits of Barnes and Joyce with people and am fine with people not loving them, when people resort to name calling and put downs it’s a bit much. Those people are poo poo heads, yes I get the irony. Same thing with Fifty Shades, lovers, if it vibes with them, if they enjoy it, if it gives them a moment’s escape from their lives, go for it. Love it, read it. Get inspired, go read more books, yeah! Go ahead, don’t like Fifty Shades, criticize it, but when you start being nasty to people who like it, well you’ve lost the argument, you’ve lost respect, you’ve lost yourself.

As for Marian Keyes plea – please stop saying Chick Lit, I both agree wholeheartedly yet disagree at the same time. Does Marian Keyes, hate chick lit? No, of course not. Is she saying it sucks? No, of course not. Is she pointing out that the term is used as a put down? Yes. Is it a put down? Yes and no. The term Chick Lit is often used by men and women alike, to put down works that focus on women. Novels in this genre tend to have successful female leads, with professional ambitions and a quirky group of friends, add to this a man often comes along and catches the lead characters eye. Then things of course get complicated, job goes to shit, fall out with friends, love interest goes all skewwhiff, then the strong female leads, pulls herself together, gets her groove back, gets her job back, gets her friends back and then the cherry on the cake, last of all, gets her man. Sounds a lot like real life, professional woman + career goals + crazy friends + a bit of romance. Hardly something that should be put down. I mean people rave about the Bronte sisters. They write about the same stuff. “Oh it is just silly fluff, about love,” you hear people say. Yeah, because love is just so stupid. Having meaningful connections is just ridiculous and would never happen in great literature. Dickens, Shakespeare, Virgil, none of these dudes would ever write about silly love stories. To be honest, typically in Chick Lit the love interest is actually the icing on the cake. Don’t get me wrong, frosting is important, I like me a big chunk of butter cream. If I have the choice between frosted or unfrosted… well let’s just call me Elsa. But the female lead tends to have to sort out her career and friends first. That is the priority, it’s not that the love interest doesn’t get a lot of the word count dedicated to them, but the priority, the first things first, goes to career and bat shit crazy friends. Where would we be without out friends? How could we pay rent without our job? It’s a bit realistic isn’t it? Sure it gets mashed up with wit and humour but there’s a lot of deep stuff in Chick Lit, but there is a lot of truth and tragedy included. So why put it down? The answer is quite simply, because we live in a society that trivializes women and their experiences, and for women to get ahead they almost have to turn on their own kind. The bagging of the term Chick Lit is simply a manifestation of that. So as far as I can see you can call it whatever you like, Commercial Women’s Fiction, Women’s Fiction, Chick Lit, Clit Lit, Vagraphy (okay I made that one up, I just wanted to use vag somewhere for my own amusement), the same issue will arise. People will put it down. People, what a bunch of bastards. Hopefully society progresses, that’s what needs to happen, and we are getting there, but until then, no matter how many terms we throw at stories for and about women, they will get trivialized. They’ll sell, because us bitches be smart and good with the books and the learning and stuff, but it’ll be marginalized.

Whoa. Robin, what just happened? Did you just go all overt feminist on our arses. Yeah, I kind of did. Commercial Women Writers tend to do that. Sorry. We give you plenty of shits and giggles, but we give you a message too. Let’s just take a deep breath and hug it out.

Prepublication: What Happens in Book Club…

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As those of you who have read my ABOUT section will know it states that this blog is – “The works of Robin Riedstra unedited, unchecked, unkempt and totally untamed. Read them if you dare travel through the grammatical jungle.” So I thought I should give you a sneak peek at roughly the first 5,000 words prior to editing. Typos, grammos, and the occasional just plain wrongo, all there. I think you’ll still have plenty of fun reading it. Will post a link when the editing is finalized and the book is live on Amazon.

What happens in Book Club… is unashamedly Commercial Fiction for Women. I am a woman, I write stories that I’d like to read. So if you hated all things Bridget Jones, Pride and Prejudice, Devil Wears, Jane Eyre, Confessions of a Shopaholic, Wuthering Heights, and Sex in the City… For the love of your sanity read no more! What Happens in Book Club… opens at the end of Gwyn’s book club’s meeting about Fifty Shades, it is awkward to say the least and the women decide that they need a year of classics to cleanse their minds. But unfortunately this doesn’t help Gwyn, who now seems to see sex and sexy sexing in every text she reads. Mr Rochester, Mr Clerval and Mr Bingley never looked so good… and so bad. 😦

Warning: Contains a sexy silver fox and my love of my hometown Sydney is very apparent. Think of it as Sex in the SYDNEY. Lol.

What happens in Book Club…

Bookclub cover websiteIt was over. We all stared at each other in awkward silence. The dirty deed had been done, empty wine glasses sat on the dingy bar table between us and we did not quite know how to move forward from this point. There needed to be empty shot glasses lined up as far as the eye could see for the women in the book club to be able to meet each other’s gazes again.

‘I think now that Fifty Shades is done we should cleanse our loins with a classic of some sort,’ Selene finally broke the silence. She was the leader of our little book club. Bright red lipstick, slick black hair, and dark brown eyes. If she would just wear a short black dress instead of business suits, she would fit right in on the set of a Robert Palmer video.

‘I think about a year of strong women is in order,’ Mac agreed vigorously. Her face was almost as red as her hair. She dabbed absentmindedly at a wine stain on the frilly long sleeved blouse she was favouring of late. It must be another pirate phase or failing that Shakespeare?

The rest of us still just stared at our hands too embarrassed to look at one another. Some had flicked through Fifty Shades and only read the sexy bits, desperados; some had flicked past the sexy scenes, prudes; and others had stopped reading because the sentence structure made their brains hurt, snobs. Either way, Fifty Shades had stirred up something inside of us that nobody wanted to name or discuss. Our book club was usually so boisterous that we disturbed other patrons. Thank God we knew how to drink, otherwise we would have been far too much bother. Instead, we were welcomed each month. Well, at least our wallets were. However, that once a month shrill disturbance at the Longie had been practically a whisper this evening. We should have drunk more wine. All that was on the table between us was a few empty glasses and E. L. James’ Fifty Shades of Grey standing erect in the middle of them. It almost seemed to pulsate and call out to people, ‘Look what these naughty girls have been reading.’

‘So, Pride and Prejudice?’ Selene asked.

There was a general murmur of agreement before everyone but Selene, Mac and I fled the scene.

‘Well, that was awkward.’ I finally found words.

‘No shit, Gwyn,’ Mac slumps back in her chair and drains the remains of her seventh wine glass.

‘What was up with you?’ Selene clearly does not have a bad case of loving me this evening. ‘We rely on you to say inappropriate things at poorly positioned moments to lighten the mood.’

‘To be honest after reading about a lot of sex I don’t want to talk about it, I just want to go out and have it. Just a lot less rapey.’ Unfortunately, as a boring schoolteacher, reading about a bunch of erotic sex was about as close as I was going to come to… well… cumming.

‘Perfect. Why didn’t you say that?’ Selene challenges me. ‘It would have opened up a whole lot of conversation.

‘I don’t want to talk about sex with those women!’ I am utterly aghast. ‘They’re old enough to be my mother.’

‘Actually,’ Mac has apparently appointed herself as my fact checker, ‘only seven of our members are old enough to be your mother.’

‘I just wasn’t feeling it today,’ I mumble into my hands.

‘I’m feeling something.’ Mac has managed to un-potato sack herself and is sitting bolt upright, breasts stuck out as if attempting to push their way out of her pirate shirt into her intended target’s hands.

‘You were quiet tonight ladies,’ the barman flashes his perfectly white teeth at us. As he collects our glasses, he pushes a strand of blonde hair away from his eyes. His electric blue eyes run a warm current up my spine. ‘I missed your laugh red.’

Mac dissolves into giggles on the spot.

‘Yours too red.’ He is looking at me. I feel like I am being struck by lightning as he focuses the full force of his charisma on me.

‘First week back at school,’ I purr. Every man has a sexy schoolteacher fantasy. ‘Those kids are running me ragged.’

‘She isn’t really a red-head,’ Mac throws water on our moment and it fizzles out. ‘I am.’ Dear God, are her breasts growing.

His tractor beam shifts from me to Mac and she meets it head on with her laser green eyes. Ugh, of course she will win. Damn those green eyes. All I can shoot back at him is a poor imitation of his own, much more spectacular, blue.

‘I’m sure I’ll find out one day,’ he flirts back, then walks back to the bar leaving Mac with a wink to keep her warm.

‘He’s so hot,’ Mac swoons back into her chair hugging her wink to her chest.

‘He looks like a lost Hemsworth brother,’ I sigh.

‘Forget that!’ Evidently, Selene is still not happy. ‘You better bring your A Grade Ditz routine next month. Your weird humour always makes them open up. And that is what we are here for. Info.’

‘Sorry,’ I frown at my hands. ‘It’s Maureen’s fault.’

‘She wasn’t even here’ Selene rolls her eyes at my seemingly poor excuse.

‘Yeah, but she’s so wild. She would have put a firecracker up this evening’s arse… and… well… I’m just horny,’ I confess.

‘We’re all bloody horny,’ Selene explodes.

A silver fox businessman at the bar looks over at us.

‘Get a bloody vibrator,’ Selene is clearly still unimpressed with my excuses.

Hemsworth from behind the bar stifles a snicker.

This is not my night.

Selene sits for a while fuming until she finally calms down. ‘Sorry. I’m just frustrated. We’re only running this book club so that we can find out what women want so we can write a great book, but tonight we got nothing! How does that help me get published? I’m just so frustrated. I want to write Fantasy, but nobody wants to publish fairy stories, so we try to write something people want but the people aren’t speaking to us. This should have been a slam-dunk. That book was so popular. They should have been gas bagging away like nothing else telling us what worked. But no. It’s just… I mean… I’ve gotta head.’ She kisses Mac and I on the forehead and says, ’emails tomorrow girls,’ and then vanishes.

‘I’d like someone’s head,’ Mac drools. She has somehow managed to get her hands on her eighth glass of wine whilst Selene and I argued. The tip of her delicately upturned nose is already starting to turn a far too merry shade of pink. It is going to be a long night.

*          *          *

‘Did Hemsworth see me throw-up?’ Mac is looking at me with such pleading eyes as I strap her into her taxi that I find it within my heart to lie to her.

‘No.’

‘Did he see me trip over?’

Yes, it was at that point that he called you this cab.

‘No.’

‘Good.’ Mac smiles for a moment and then starts to cry.

I smile sympathetically at the driver before standing up, closing the door, and rapping the taxi on the roof to let him know he is good to go. I stand back, breathe in the fresh night air, and stretch out my neck after the strain of carrying Mac to the cab. I cannot be mad. Half the time it is me.

The North Sydney Street is practically empty at this time of night. Wednesday nights are not known for their wildness in these parts. I am sure Coogee would be off the hook right now but it is nice and peaceful here. I need a taxi of my own but it could be a long while. A miracle, a yellow glowing beacon comes swinging around the corner like a golden gift from the Gods, hooray, I am saved from waiting for hours for cab never to arrive and eventually walking home.

I go to put my arm out to wave the taxi down but I am beaten. The silver fox from the bar has just exited the bar and already has his arm out waving down the taxi.

What an arse hole.

The taxi pulls up and he opens the door then pauses and stares back at me. He has the most amazing blue eyes that I have ever seen. His perfect lips break into a grin and he calls out to me.‘Care to share a cab?’

I do not know where he is going but I do know that this is probably my last chance for a cab and so going a few minutes out of my way to drop him off is probably worth it. Besides, there are worse ways to spend an extended cab ride than gazing at that perfect mouth. Then again, my mother did tell me not to get into cars with strangers.

Well I guess that decides it then.

I nod enthusiastically and charge forward.

*          *          *          *          *

I stare out at a sea of bored faces. Fifteen-year-old boys and girls are sitting slumped in their chairs as if I am their cult leader and have just given them a spiked communion. Me teaching Geography is definitely one of the signs of the apocalypse, so there is probably some truth to this metaphor.

‘I’m bored,’ whines a girl wearing more eyeliner than I actually own.

I want to yell at her, ‘It’s only the first week back, how can you be bored already? There are no boring subjects, just boring people!’ But I do not.

‘Well of course you’re bored,’ I respond with a sniff, ‘this is Geography, I’m not a miracle worker.’

The class giggles in response. Always a good idea to humour the teacher.

‘Seriously Miss, this is so stupid, when am I going to have to know about coastal management?’ Eyeliner questions me with a pout from her highly glossed lips.

Mental note: bring sunglasses to class, gloss is back in, big time.

Mental, mental note: I love gloss, buy more… and put some glitter on that list. And tampons, ugh, my lower back is killing, I’ll be needing them soon.

I try not to let out a sigh. I felt the same level of What the fuck is happening to our society? when I was asked why we had to study The Removalists last year. Apparently, domestic violence just is not an issue anymore. I take a deep breath to calm myself so that I avoid giving an impassioned speech that will only proceed to alienate the student, a feat I did not manage last year. I still remember the parent phone call after I had reduced their seventeen-year-old daughter to tears with current domestic violence incidents in the news. Making kids cry is not cool. I proceed to attempt to meet her needs in a way meaningful to her.

‘Tell you what,’ I bargain, ‘we get through all our work for the week today and we can watch an interesting show instead of working on Friday.’ Ah, the evil genius of the teacher, using media and celebrities to make points that our lame selves cannot. They will get educated quite happily if I tell them they are not learning.

A general murmur of agreement comes from the class and the previously roofied class turns into a class on speed. It is my turn to slide down in my chair in a rohypnoled state. I stare at the clock. I have an important chat date with the girls at 3:05pm. It is important, it is tradition… it is habit. We always have a chat catch-up at 3:05pm. It is the one thing I can rely on. I may spend my rent money on shoes, I might forget my own phone number, I might even forget that I am a non-smoker and have a few cheeky cigarettes on a big night out… okay, a few packs, BUT, I know that every weekday, like clockwork, I will have a flurry of emails from the girls at 3:05pm. Easy for me, it is the end of my school day, but how the girls manage to schedule it in everyday is a miracle to me. A miracle that I am not going to question. I am just thankful that my high flying Executive Assistant pal Selene and my Banker buddy Mac can make time for a cretin like me.

TICK

The minute hand moves from 3:03 to 3:04.

‘Okay guys, time to pack up.’

A flurry of noise and activity erupts that makes me believe that perhaps I have just announced the end of the world. This may explain why the students are constantly bringing stashes of food to class. Always better to be safe than sorry.

‘Remember to put your chairs up on the desks,’ I yell over the thundering storm.

‘Miss,’ a tall boy I always have to remind to take off his baseball hat, complains as he no doubt will every single lesson, ‘No other teachers make us do this. It’s so Primary School.’

Ouch, the ultimate insult. Unfortunately, I happen to like cut and paste, and glitter, so would make a most excellent primary school teacher.

‘Yes, and that is why I have got the cleanest floors out of everyone,’ I dutifully give out my standard response. ‘If you make it easier for the cleaners, they’ll treat you right.’ I finish it off with a wink and the lanky boy blushes a bit. Oh dear, another one. I will have a week of being stalked followed by months of being called a lesbian. Oh what fun. I hope that he is more creative in his toilet graffiti than the last kid. A picture of a stick figure with enormous boobs with my name written next to it is just so last season.

The bell goes and without awaiting any instructions, the students run for the hills.

I open up my laptop. Our group email has already started.

Selene: How’d you end up?

Mac: Drunk, but thankfully managed not to embarrass myself and got home in one piece.

Selene: Sure you did.

Mac: Seriously I did. Ask Gwyn.

Me: I had sex.

Selene: We need to meet now.

Mac: What the fuck?

Mac: Bullshit!

Mac: You lie!

Mac: Yeah we need to meet.

Mac: The Usual?

Mac: Come on guys, you’re killing me. The Usual?

Mac: 5pm?

Mac: Guys!!!!!!!

Selene: Chill out Mac. It’s been like 5 fucking seconds, not everybody types as fast as you do.

Mac: Shut up mole.

Selene: Game on mole.

Me: You’re both moles. See you at 5:30pm.

Mac: Fine. 5:30pm. You better be on time.

Mac: None of this 154 minutes late shit.

Mac: *15 minutes

Mac: Any details to share in advance?

Mac: Who was it?

Mac: Did I speak to him?

Mac: Guys?

Selene: See you at 17:30.

Mac: You girls suck!

*          *          *          *          *

When I arrive at the Usual, Selene and Mac are already sitting at our usual table. Nice and close to the dark timber bar and a high table with high stools so we can semi stand and not have our thighs go all squidgy on the seats. It may be our Usual but we are not animals, we still want to look hot. Just not actually utilise that hotness to its full potential. Mac is tapping at her wristwatch with a frown whilst Mac is staring meaningfully at the ornate, silver watch hanging around her neck. I am only five minutes late but clearly she and Selene got here early in anticipation. How did they get out of work early for this? Why did they get out of work early just for me?

‘Sorry I’m five minutes late,’ I say dumping my over-seized beige, faux-alligator skin handbag on the corner of the table.

‘Seriously, you’re the first one to get off, how can you be the last one here?’ Mac is not happy with even a five minute tardy. Selene comes across as the uptight one but deep down it is Mac. She adjusts her frilly pink blouse and squints those green eyes at me. I swear she knows her eyes are special so she uses them as a weapon as much as possible.

‘Apparently she was the last one to get off,’ Selene smiles into her wine glass. I laugh in return. Sensible Selene is here customary black business suit. How many of those things must she own? At least one hundred and fifty.

‘Oh shut up you two,’ Mac is frustrated. ‘So, details? Who was it? Was it Thor?’

Ahhhh, now it makes sense, she is worried that I have been getting my hand on the God of Thunder’s hammer.

‘Come on, spill.’ Selene as always is simple, direct and to the point.

‘Ladies, chill, at least buy me a drink before violating my privacy.’ Two sets of eyes stare at me. One set green, the other brown, but identically unimpressed. ‘Okay, at least let me buy myself a pint before you start in on me.’

I spin to get up and nearly clash with an unfortunate looking bar tender.

‘Hey Gwyn,’ he is like a puppy, practically panting, ‘a customer ordered a pint and then decided they wanted something else, so I thought I’d bring it over to you. I know it’s your usual.’

I thank him for his generosity but assure him he really should not put himself out on my behalf. He stares at me with big cow eyes, which let me know that it is far too late for that.

I turn back to Mac and Selene.

‘We need to find a new Usual.’

‘No,’ there is no arguing with Selene. ‘You made your bed, now you lie in it.’

‘How is this even my fault?’

‘You shouldn’t have flashed him,’ Selene responds flatly.

‘But I was drunk, it was late, we should have moved onto a new location by then. I clearly remember saying that we should leave. I know that you never stay at your local to disgrace yourself.’ I plead.

‘I’m more interested in hearing how you disgraced yourself last night,’ Mac butts in, ‘and with who.’

‘Do you remember the Silver Fox?’

Two heads shake no at me.

‘There was a hot older business man, really good suit, amazing smile, dimples? He was there with a bunch of other suits, and stood at the bar.’

I am met with shrugs.

‘Well, him.’

‘So, not Thor?’ Mac asks.

‘Not Thor,’ I respond slightly frustrated. ‘Mr Grey.’

‘What?’ Selene is looking at me incredulously.

‘You know, like in the book.’

‘Oh my God!’ Mac is staring at me aghast. ‘You didn’t read the book. He doesn’t have grey hair.’ Not reading the assigned book is Mac’s equivalent of swearing in church. I am a little stunned by the attack.

‘I know,’ I raise my hands trying to placate her rage, ‘I read it.’ She is still glaring at me. Clearly, she does not believe me. ‘I just thought it was a funny play on words. And he was all hot and businessy and we’d just been reading about all hot and businessy so I thought…’

‘Why not fuck an old man?’ Selene interrupts bluntly.

‘He wasn’t old! He was one of those just going silver guys, still young and fit.’ So fit, so hot, strong body, abs that you could carve a mountain with, so fucking hot. Hard body pressed up against me, lips mashing, tongues touching, hands gliding along skin, hot mouth running along my neck, hands clutching at my thighs, buttocks, lips teasing nipples.

‘Are you still with us?’ Mac is waving her hands up and down in front of my face.

‘Sorry, I was just having a flashback.’

‘A flashback?’ Selene is frowning at me with her WTF face. ‘You went to war last night? With the Grey Man?’

I nod slowly and my crotch twinges at the memory.

‘Sexnam,’

‘Sounds intense,’ Mac is leaning forward, eyes bright with anticipation for details.

‘I’m now suffering from PTSD, Post Tremendous Sex Desire.’

‘That’s hot,’ Selene says.

‘That is hot,’ Mac gives a confirmation on that.

‘He really loved my hair,’ I can still feel his hands running through my hair. ‘He said he has a thing for gingers.’

‘You’re not a real ginger,’ Mac’s rebuttals come virtually automatically these days.

‘My hair might be fake but my orgasms certainly weren’t.’

‘Orgasms?’ Selene picks up on the plural.

‘Oh yeah, multiple orgasms.’

‘I need a vibrator,’ Selene always knows just what to say.

An Irish backpacker sitting behind us swivels around with his best attempt at a suave grin pasted onto his sweaty face.

‘Ladies, have you ever heard of an Irish eight-pack…’

‘No!’ Selene’s word is final.

*          *          *          *          *          *          *          *          *          *

‘Have you read it?’ Mac is looking at me accusingly over my pint. She seems to be attempting to coordinate her drinks with the colour of her bronze sequined top. A new level of fashion obsession even for Mac. Is she into disco now? I have only just got used to her pirate princess look.

‘Read it?’ I am slightly offended, ‘I’ve taught Pride and Prejudice!’

‘So you’re definitely prepared to speak at tomorrow’s book club meeting?’

‘Of course!’ Our routine, pre-book club, book clubs are not usually so hostile. ‘Why are you getting so sassy? Save your arguments for the Longi. We don’t want to taint our usual hang out.’

‘By flashing our tits at the barman?’

‘It was my bra!’

‘Settle down girls,’ Selene has had enough of our bickering. ‘They should be thankful to see Gwyny’s B cups. But, to be totally honest, you were awfully quiet last month. It kind of stuffed up the whole vibe of the evening.’

‘I’m sorry. I was just embarrassed. I already told you, I just didn’t want to discuss sex with those women. They’re old.’

‘Too embarrassed to talk about it but not too embarrassed to fuck about it,’ Mac spits out.

‘Woah, what is your problem?’ Sure Mac is feisty, and she loves our book club, but this is ridiculous. ‘Have you got your period or something?’

‘Ohhhhhh,’ I can see Selene shrink down as if she wishes to duck for cover. If it is true it will snap Mac right out of it, if it is not, there might just be a catfight in our Usual.

‘That is so insulting,’ Mac sniffs loudly then breaks into a grin, ‘but yes I do.’

I nod understandingly and we touch hands.

‘Let me get you a nice Sav Blanc and we can talk about Pride and Prejudice further.’

‘You going to bang a Darcy this month?’ Mac asks as I am walking away. I shake my head and laugh. She is too cheeky sometimes.

I sidle up to the bar. The middle aged bar manager puts a pint in front of me. I may be just a tad too predictable.

‘I’m grabbing a drink for Mac too.’ He slaps a white wine next to it. Well, at least I am not being predictable on my own. ‘I should get one for Sel whilst I’m here.’ He stares at me, no automatic response for Sel. She seems more strict and proper than Mac and I but deep down she must be the wild one. After all, she even changes her drinks. ‘I think she’s favouring dirty martinis this evening.’ He raises his eyebrows at me and I cannot resist winking at him, ‘That’s right, dirty.’

When I return to the girls the bar manager is still blushing.

‘What did you say to him?’ Mac asks indignant.

‘He does have grey hair,’ Selene says. ‘She probably put the hard word on him.’

I snort loudly as I try to repress a laugh. One fuck a month ago and they are still banging on about it. We need to get laid more often.

‘So?’ I ask, getting us back on track, ‘Do we love it or hate it?’

‘Love the idea of having a good shag with a sexy businessman,’ Selene helpfully answers.

‘But not with the bar manager at our Usual,’ Mac responds.

‘I know, don’t shit where you eat.’ I am resigned to the fact that we are not going to be doing our regular pre-bookclub discussion this evening. I will be needing a lot more pints.

‘Or flash your tits at your food.’ Mac does not miss a beat.

‘Okay. But is it alright if from time to time I flash my bra at a side salad or something?’

‘You do what you need to do to get us free drinks,’ Selene says with a wink. ‘Meanwhile, I’m not feeling Darcy.’

‘Me neither,’ I agree, ‘but you can’t say that. The ladies will flip. Particularly the older ones.’

‘I’d like me a slice of that Wickham,’ Mac is bobbing on her seat as if she is grinding to sex music. ‘He’s a bad boy but you know he’d be good in bed.’

‘What about poor old Bingley?’ I ask, ‘He’s a nice guy.’

‘He’s totally whipped!’ Selene nearly spits out her dirty martini in horror. ‘Seriously if he was alive now he’d be living in his parent’s granny flat with his tragic sisters.’

‘No.’ I shall defend my sweet natured Bing. ‘He’s a good boy, he’s just a bit Cinderellee.’

‘That’s not a word,’ Mac interrupts.

‘Oh, it’s a word!’ It should be a word. ‘He’s all dominated by his wicked stepsisters.’

‘He doesn’t have wicked stepsisters.’

‘I’m using creative license!’

‘Whatevs,’ Selene says flatly, ‘he’d be a fumbler in bed.’

‘I think Mrs Bennet gets a bad rap,’ Mac muses thoughtfully. And with that, we are back on track. No more sex talk, no more teasing over silver foxes with strong arms, pulling me into him, my nails digging into his broad shoulders, spreading my legs as wide as I can eager to have all of him inside of me.

‘Sexnam?’ Selene is staring at me, Mac is nowhere to be seen. ‘Mac was so engrossed in her thought about the novel she failed to notice you’d departed.’

I start guiltily.

‘Has she gone home?’

‘No she’s just gone to the can.’

‘Sorry.’

‘It was that good, huh?’

‘Yep,’ is all I can utter in reply as my vaginal muscles contract as if searching for the Grey Man’s cock.

Selene pats my hand sympathetically.

‘I really do need to get a vibrator,’ Selene says as if thinking aloud.

Mac comes rushing back across the bar looking really excited.

‘Girls, I have had the best idea!’ Her face is flushed with her own brilliance. ‘Instead of hiding the fact we don’t like Darcy, how about one of us admits to it. You know, get the ladies really fired up. Add some spice to our meeting.’

‘Great idea,’ I nod. ‘Last month was so quiet that we could use a good shake up.’

 

How Not to Communicate with Publishers

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How Not to Communicate with Publishers

In my time I’ve done a lot of writing courses and gone to a lot of writing seminars/festivals/workshops. I’m not just saying that to brag, I’m going somewhere with this. Because of this extensive training I have become a bit of an expert on what publishers don’t want. Me, would be a simple yet hilarious answer, and however crushingly truthful it might be, it would not help any of you good folk. So below I have collected all the insights I have had revealed unto me by publishing house reps and published authors alike.

How Not to Approach a Publishing House Representative

  1. NO GLITTER! Don’t put it in envelopes, don’t glitter bomb them in passing, don’t offer them glitter lip gloss. These people fucking hate glitter. No surprise really, glitter is the herpes of the craft world. I have three kids and I can tell you, that once you get that stuff on you then you may very well never get rid of it. I have probably accidentally glitter bombed countless people because I can never guarantee that my hands are glitter free. If you want to get published do not come into contact with young children or parents of young children, they are riddled with glitter.
  2. In addition to the whole no glitter thing, I would suggest that strip-o-grams, fat-o-grams, kiss-o-grams, or indeed any kind of o-grams are well out. I’ve never heard publishers despair at length over them as they do over craft herpes, but I suspect they wouldn’t like them much either.
  3. Do not write – “Well, well, well, as if this isn’t your lucky day. I’m about to give you Dan Brown mixed with J. K. Rowling with a side of Stephen King and a spicy E. L. James sauce drizzled over the top. If you pass on this little puppy I’ve got in my hot little hands you will literally kill yourself. That’s a scary thought, but you will. That’s how good this script is.”
  4. Do not say – “Yo, bitch, stop being such a lefty, leso, femmo, right winged, Nazi, bitch and read my script. You might not like it because you’re such an uptight frigid slut, but other people will love it. Then we can roll about in a hot tub full of money together. Call me, you’ll thank me for it later.”

How Not to Deal with Rejection

  1. Do not say – “Fuck you, fuck your sales team, fuck the marketing department, and fuck the work experience kid. Seriously, fuck you all. I hope you get sent a chain status update on Facebook that you get cancer if you don’t pass on.”
  2. Do not email – “You are an idiot. I am going to be the biggest thing ever and you have missed out. I’m going to make J .K. Rowling look like a destitute hooker begging for favours in Gateshead, and you’re going to miss out. Suck on it losers.”
  3. Do not voice message – “I never liked you anyway, so get lost. You smell like a butt.”
  4. Do not write – “Jesus Christ, I can’t believe I got rejected by even you. You’re like the arse end of publishing. I only submitted to you because I’ve been rejected more times than Danny DeVito at a sex party. If I can’t get anywhere with you I may as well load a shotgun with deep fried chicken and shoot it directly into my mouth.”

Suggestions on How to Deal with Publishers

  1. Oh, I don’t know, maybe treat them like they’re hard working individuals, with a busy job, and respect their privacy. Don’t try to corner them in the bathroom/elevator/shower.
  2. Submit your manuscript using the submission guidelines provided on the Publishing Companies Website. If they ask for a 200-300 word synopsis, give them one that is 200-300 words. If they ask for the first three chapters, give them the first three chapters… If they ask for glitter give it to them, if they haven’t just leave it at home.
  3. Make sure you edit your work before sending it. As much as everybody loves a good mystery and discovering the exact meaning of your manuscript because not one word is spelt correctly, and the tense is constantly shifting, does seem fun, publishers are busy people so maybe just keep it simple.
  4. Deal with rejection with some dignity. By that I mean, cry, eat a lot of cake, bitch about it to your friends, and then send a polite “thank you for your rejection” letter.

I hope that helps. Cost me many, many, lots of dollars to learn this. Don’t worry, I’m not going to charge you. Me, eradicating craft herpes from the publishing world will be thanks enough.